III. _The Lamp of Impartiality_.--The novelist must look on
humanity without partiality or prejudice. His sympathy, like that of the
historian, must be unbounded, and untainted by sect or party. He must
see everywhere the good that is mixed with evil, the evil that is mixed
with good. And this he will not do, unless his heart is right. It is in
Scott's historical novels that his impartiality is most severely tried
and is most apparent; though it is apparent in all his works.
Shakespeare was a pure dramatist; nothing but art found a home in that
lofty, smooth, idealistic brow. He stands apart not only from the
political and religious passions but from the interests of his time,
seeming hardly to have any historical surroundings, but to shine like a
planet suspended by itself in the sky. So it is with that female
Shakespeare in miniature, Miss Austen. But Scott took the most intense
interest in the political struggles of his time. He was a fiery
partisan, a Tory in arms against the French Revolution. In his account
of the coronation of George IV. a passionate worship of monarchy breaks
forth, which, if we did not know his noble nature, we might call
slavish. He sacrificed, ease, and at last life, to his seignorial
aspirations. On one occasion he was even carried beyond the bounds of
propriety by his opposition to the Whig chief. The Cavalier was his
political ancestor, the Covenanter the ancestor of his political enemy.
The idols which the Covenanting iconoclast broke were his. He would have
fought against the first revolution under Montrose, and against the
second under Dundee. Yet he is perfectly, serenely just to the opposite
party. Not only is he just, he is sympathetic. He brings out their
worth, their valour, such grandeur of character as they have, with all
the power of his art, making no distinction in this respect between
friend and foe. If they have a ridiculous side he uses it for the
purposes of his art, but genially, playfully, without malice. If there
was a laugh left in the Covenanters, they would have laughed at their
own portraits as painted by Scott. He shows no hatred of anything but
wickedness itself. Such a novelist is a most effective preacher of
liberality and charity; he brings our hearts nearer to the Impartial
Father of us all.
Public-domain text, read in full here on John Shaqi.
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