Lectures on Russian Literature: Pushkin, Gogol, Turgenef, TolstoyPanin, Ivan
History
Lectures on Russian Literature: Pushkin, Gogol, Turgenef, Tolstoy
Panin, Ivan
Russian literature -- 19th century -- History and criticism
admiration, appreciation,--this man Tolstoy has for years to hide his
gun lest he shoot himself, and his towel lest he hang himself.
Wherefore, then, such misery? Because, my friends, he was natively
endowed with a heaven-aspiring soul, between which and the doctrine of
the world there can be no peace. One must perish, or the other,--either
the doctrine of the world, or his soul. His soul, indeed, was destined
not to perish; but the devil in man dies hard, and for fifty years the
doctrine of the world held in him the upper hand.
26. Hence though the essence of Tolstoy is the preacher, he was during
these fifty years never the preacher alone; but this very struggle in
his soul between the powers of Light on the one hand and the powers of
Darkness on the other is also the reason why he never remained the
artist alone. Like the thread of Theseus in the labyrinth of Minos, the
preacher's vein is seldom, if ever, absent from Tolstoy. Hence his
"Morning of a Proprietor," written in 1852, at the age of twenty-four,
is as faithful an account of his experience as a visitor among the poor
as his "Census of Moscow," written twenty-five years later; hence his
"Lutzen," written when he was yet under thirty, is as powerful a plea
for the beggar as his "What to Do," written at the end of his career.
The final detaching of the preacher from the artist is not therefore a
sudden resolve, but the outcome of the life-long struggle of his spirit.
The detaching of the preacher from the artist took place therefore in
Tolstoy as the detaching of the nourishing kernel takes place from the
castaway shell. When he found his haven and saw that the only meaning of
life can be found solely in love of man, and in living and in toiling
for him, when the doctrine of the world, in short, was defeated by the
soul, then the severance of the preacher from the artist becomes
complete, the shell is burst, and in all its native nourishingness there
at last lies before us what is eternal of Tolstoy,--the writings, not of
the artist Tolstoy, but the writings of the preacher Tolstoy.
* * * * *
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