"Come, gentle Spring! ethereal Mildness! come, And from the bosom of yon dropping cloud, While music wakes around, veil'd in a shower Of shadowing roses, on our plains descend." Who, from such a flimsy, round-about, unmeaning commencement as this, would expect the delightful, unexaggerated, home-felt descriptions of natural scenery, which are scattered in such unconscious profusion through this and the following cantos? For instance, the very next passage is crowded with a set of striking images. "And see where surly Winter passes off Far to the north, and calls his ruffian blasts: His blasts obey, and quit the howling hill, The shatter'd forest, and the ravag'd vale; While softer gales succeed, at whose kind touch Dissolving snows in livid torrents lost, The mountains lift their green heads to the sky. As yet the trembling year is unconfirmed, And Winter oft at eve resumes the breeze, Chills the pale morn, and bids his driving sleets Deform the day delightless; so that scarce The bittern knows his time with bill ingulpht To shake the sounding marsh, or from the shore The plovers when to scatter o'er the heath, And sing their wild notes to the list'ning waste." Thomson is the best of our descriptive poets: for he gives most of the poetry of natural description. Others have been quite equal to him, or have surpassed him, as Cowper for instance, in the picturesque part of his art, in marking the peculiar features and curious details of objects;--no one has yet come up to him in giving the sum total of their effects, their varying influences on the mind. He does not go into the _minutiae_ of a landscape, but describes the vivid impression which the whole makes upon his own imagination; and thus transfers the same unbroken, unimpaired impression to the imagination of his readers. The colours with which he paints seem yet wet and breathing, like those of the living statue in the Winter's Tale. Nature in his descriptions is seen growing around us, fresh and lusty as in itself. We feel the effect of the atmosphere, its humidity or clearness, its heat or cold, the glow of summer, the gloom of winter, the tender promise of the spring, the full overshadowing foliage, the declining pomp and deepening tints of autumn. He transports us to the scorching heat of vertical suns, or plunges us into the chilling horrors and desolation of the frozen zone. We hear the snow drifting against the broken casement without, and see the fire blazing on the hearth within. The first scattered drops of a vernal shower patter on the leaves above our heads, or the coming storm resounds through the leafless groves. In a word, he describes not to the eye alone, but to the other senses, and to the whole man. He puts his heart into his subject, writes as he feels, and humanises whatever he touches.