Though there is a frequent dryness, timidity, and jejuneness in his manner, he has left a number of pictures of domestic comfort and social refinement, as well as of natural imagery and feeling, which can hardly be forgotten but with the language itself. Such, among others, are his memorable description of the post coming in, that of the preparations for tea in a winter's evening in the country, of the unexpected fall of snow, of the frosty morning (with the fine satirical transition to the Empress of Russia's palace of ice), and most of all, the winter's walk at noon. Every one of these may be considered as distinct studies, or highly finished cabinet-pieces, arranged without order or coherence. I shall be excused for giving the last of them, as what has always appeared to me one of the most feeling, elegant, and perfect specimens of this writer's manner. "The night was winter in his roughest mood; The morning sharp and clear. But now at noon Upon the southern side of the slant hills, And where the woods fence off the northern blast, The season smiles, resigning all its rage, And has the warmth of May. The vault is blue, Without a cloud, and white without a speck The dazzling splendour of the scene below. Again the harmony comes o'er the vale; And through the trees I view th' embattled tow'r, Whence all the music. I again perceive The soothing influence of the wafted strains, And settle in soft musings as I tread The walk, still verdant, under oaks and elms, Whose outspread branches overarch the glade. The roof, though moveable through all its length, As the wind sways it, has yet well suffic'd, And, intercepting in their silent fall The frequent flakes, has kept a path for me. No noise is here, or none that hinders thought. The redbreast warbles still, but is content With slender notes, and more than half suppress'd. Pleas'd with his solitude, and flitting light From spray to spray, where'er he rests he shakes From many a twig the pendent drop of ice, That tinkle in the wither'd leaves below. Stillness, accompanied with sounds so soft, Charms more than silence. Meditation here May think down hours to moments. Here the heart May give a useful lesson to the head, And Learning wiser grow without his books. Knowledge and Wisdom, far from being one, Have oft-times no connection. Knowledge dwells In heads replete with thoughts of other men; Wisdom in minds attentive to their own. Books are not seldom talismans and spells, By which the magic art of shrewder wits Holds an unthinking multitude enthrall'd. Some to the fascination of a name Surrender judgment hood-wink'd. Some the style Infatuates, and through labyrinths and wilds Of error leads them, by a tune entranc'd.