Lectures on the Philosophy of the Human Mind (Vol. 1 of 3)Brown, Thomas
Philosophy
Lectures on the Philosophy of the Human Mind (Vol. 1 of 3)
Brown, Thomas
Philosophy; Psychology
I have dwelt on this question at much greater length than I should
otherwise have done, however interesting it truly is as a question of
metaphysics, because I was anxious to obviate a prejudice which is
very closely connected with this point, and which, most unfortunately
for the progress of the Philosophy of Mind, has given a wrong bias to
the speculations of many very enlightened men. No one, I am aware,
can be so sincerely sceptical as to doubt, even for a moment, his
own identity, as _one continued sentient being_, whatever ingenious
sophistry he may urge in support of the paradox which he professes to
hold. But still, while the compatibility of diversity with absolute
identity, as now explained to you, was but obscurely felt,--a
compatibility which, to the best of my remembrance, no writer, with
whom I am acquainted, has attempted to illustrate,--the difficulty of
reconciling the growth or decay of knowledge, and all the successive
contrasts or changes of feeling, which our sensations, thoughts,
emotions, exhibit, with the permanent indivisible unity of the same
sentient principle, has been sufficient, in many cases, to produce a
vague and almost unconscious tendency to materialism, in minds that
would not otherwise have been easily led away by a system so illusive;
and, where it has not produced this full effect, it has at least
produced a tendency, in many cases, to encumber the simple theory
of the mental phenomena with false and unnecessary hypotheses, very
much akin to those of absolute materialism. Without this absolute
materialism, _mind_ must still be left, indeed, as the ultimate subject
of sensation, and the difficulty truly remains the same; but it is
contrived to complicate, as much as possible, the corporeal part of the
process, which precedes this ultimate mental part, by the introduction
of phantasms, or other shadowy films, animal spirits, vibratiuncles,
or other sensorial motions, that a wider room may thus be left for a
play of changes, and the difficulty of accounting for the diversity
of sensations be less felt, when it is to be divided among so many
substances in almost constant motion; while the attention is, at the
same time, led away from the immediate _mental_ change, in which alone
the supposed difficulty consists, to the mere _corpuscular_ changes, in
which there is no supposed difficulty.
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