The Thirteenth Century--_continued_. St. Saviour’s, Southwark--Choir of Temple Church, London--Chapel at Lambeth--Westminster Abbey--Its Italian mosaic work, monuments, and ancient reredos--Chapel of St. Ethelreda, Holborn--St. Alban’s Abbey--Priory Church, Dunstable--Stone Church near Gravesend--Waltham Cross--Jesus Chapel, Cambridge--Ely and Peterborough Cathedrals--Warmington Church--West Walton Abbey--Crowland Abbey--St. Mary’s and All Saints, Stanford--Ketton, Grantham, and Frampton Churches--Lincoln Cathedral--Southwell Minster--Newstead Abbey--York Cathedral--St. Mary’s Abbey, and St. Leonard’s Hospital, York--Skelton Church--Beverley and Ripon Minsters--Fountains, Rivaulx, Whitby, Kirkham, and Guisborough Abbeys--Chapel of the Nine Altars, Durham--Hexham and Dryburgh Abbeys--Chapel of Holyrood--Elgin and Glasgow Cathedrals--Furness Abbey--Southern examples--Most great churches in France vaulted, not so in England--Universal excellence of workmanship from 1175 to 1400--Domestic architecture of France, Germany, Italy, and England--Influence of thirteenth century work on our artistic practice. In my last lecture I gave a hasty outline of the developed architecture of this great period. I will now endeavour to give an equally hasty glance at some of its more marked creations, beginning--as in duty bound--at home. Their number, however, is so great, that one is perplexed to know where to begin, or in what order to take them. Perhaps the most profitable way will be to imagine the student to live in London, and to commence with the works of this century, which he may study within a walk of his home. Let us begin, then, with the church of St. Saviour--formerly St. Mary Overie--in Southwark. When I first knew this Church the whole of it was standing: externally, it is true, the aspect it presented was not very pleasing, for it had been cased almost throughout with red brick, and the Lady Chapel was little else than a ruin. The choir was then in course of restoration. The interior was a most noble structure, and was almost perfect, and nearly all of this century, though some small portions westward were earlier, and the south transept possibly a little later. The whole was on a very symmetrical design, that of the nave being very much the same with the choir. Its character may easily be judged of from what remains. It was nobly massive and grand, not of lofty proportions, but still such as to satisfy the eye. The pillars were alternately round and canted squares, flanked with attached shafts; the triforium consisting of arcades, interrupted only by the vaulting shafts. At the east end is a beautiful Lady Chapel, vaulted on light clustered pillars.