Lectures on the rise and development of medieval architecture; vol. 1Scott, George Gilbert, Sir
History
Lectures on the rise and development of medieval architecture; vol. 1
Scott, George Gilbert, Sir
Architecture, Gothic; Architecture, Medieval
I begin to see, however, that I have embarked on an endless task, and
have got half through my time without getting through the home district.
I will therefore leave it, with a request that you will not consider
Stone Church, near Gravesend, the worse for having become somewhat
hackneyed. It is a mutilated work, but what remains of it is as
exquisite an example of a period about agreeing with that of Westminster
Abbey as can, perhaps, anywhere be found.
As I cannot pretend to give you a complete architectural itinerary, I
will imagine--not seeing my way to a better--a northern tour in search
of works of the age I have been treating of; and giving a passing look
at Waltham Cross, in which I once delighted, though now, I confess, its
so-called restoration has rather damped my enthusiasm, and hastily
looking in at Jesus Chapel at Cambridge, a very excellent specimen of
Early English, let us proceed to Ely. I have repeatedly alluded to the
two great works in our style which it contains: the western porch, built
between 1197 and 1214, is by far the noblest in this country. It is
peculiar in its size and position, more of a narthex, perhaps, than a
porch, or rather the western arm of the cross formed by the western
transept. Externally, it is covered with decorative arcading in four
ranges. It is of two storeys, the upper one having formed a spacious
chamber. The angle buttresses are of that beautiful kind which are
almost peculiar to this period, being of the form of clustered pillars.
The two portals--the outer and the inner--are, in their leading forms,
alike; they are double, and of very lofty proportions. Their heads were
formerly filled with the Vescica Piscis, possibly containing sitting
statues; but this--why, it is impossible to divine--was taken out in
both instances, and a wretched piece of flowing tracery, in plaster,
substituted by Bernasconi, to the no small detriment of the doorways.
The inner doorway is an exquisite work of art, the mouldings being most
beautifully foliated. The sides of the porch are arcaded in two stages
in a most beautiful and artistic manner, and probably contained
sculpture. The capitals are among the finest to be found in any English
building. The porch measures internally 40 feet by 30 feet.
The other great work of this century, at Ely, consists of the six
eastern bays, with the eastern front. They were commenced by Bishop
Northwold in 1235, and completed in 1251.
[Illustration: Fig. 117.--Ely Cathedral, Eastern Front.]
It forms one of the finest specimens of the Early English style. The
noble development of its triforium is an inheritance from the Norman
church, with whose levels it was made to range. The liberal use of
Purbeck marble adds vastly to the beauty of the work: the pillars are
entirely of this material, including even their richly foliated
capitals, as are the long and elaborately carved corbels which carry the
vaulting shafts.
Public-domain text, read in full here on John Shaqi.
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