Lectures on the rise and development of medieval architecture; vol. 2Scott, George Gilbert, Sir
History
Lectures on the rise and development of medieval architecture; vol. 2
Scott, George Gilbert, Sir
Architecture, Gothic; Architecture, Medieval
The ribs now became beautifully moulded, and sometimes decorated with
carving. In early works, as at St. Cross;[52] St. Peter’s, Oxford; St.
Joseph’s Chapel at Glastonbury;[53] and in the aisles at Canterbury, the
old Norman chevron was continued in the ribs. The meetings and
intersections of the ribs at their apex were usually ornamented with
bosses, and beautifully carved. These bosses assumed many varieties of
form--sometimes a small rosette, or a little tuft of foliage, merely to
decorate the centre of the intersection without covering the mouldings;
sometimes the mouldings themselves return round a central opening, with
or without foliage; sometimes a head of part of a figure was added to
the last-named form in each angle, nearly at the plane of vaulting;
sometimes beneath such moulded boss a disk was attached with or without
foliage, as if to form a cover to the central opening; indeed, it was
occasionally actually the moveable cover of such an opening. In England
the usual form is a group of foliage covering the intersection, and
frequently containing figure sculpture. Westminster Abbey furnishes
admirable examples both of the foliated and sculptured bosses.
As regards the intermediate surfaces of the vaulting, a curious
difference is found to obtain between the methods adopted in France and
in England.
In France the courses of stone run parallel to the ridges, as would
naturally suggest itself from the original intersecting vaults (Fig.
363); while in England they often take an irregular direction, as if
suggested by placing them at right angles to an imaginary centre line of
each triangular space, though really deviating much and irregularly from
such a rule.
[Illustration: Fig. 363.]
The French seem much offended by the appearance of the English system;
and I remember feeling in the same way when I first saw the French
method. The latter seems to throw undue pressure on the diagonal ribs,
while the English mode appears to throw it more equally on _all_ the
ribs; throwing it, in fact, down into the direction of their
meeting-point.[54]
Public-domain text, read in full here on John Shaqi.
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