Lectures on the rise and development of medieval architecture; vol. 2Scott, George Gilbert, Sir
History
Lectures on the rise and development of medieval architecture; vol. 2
Scott, George Gilbert, Sir
Architecture, Gothic; Architecture, Medieval
In the eastern half of Westminster Abbey, including the transepts, we
have the vaulting of the oblong space (with ploughshare side cells), and
of the square space, and of the four-sided space of all degrees of
irregularity; we have apses of two dimensions, viz., the great apse of
the Sanctuary and those of the radiating chapels, which are as beautiful
specimens of the apse vault as can be found; we have, in the
Chapter-house, the vaulted octagon, with central pillar carried out in
noble proportions and with excellent detail;[58] while in the crypt
below is a repetition of the same vaulting, of depressed proportions,
and carried out with the severest simplicity.
[Illustration: Fig. 379.--St. Faith’s Chapel, Westminster Abbey. View
looking East.]
We have in its inner vestibule two oblong vaults
[Illustration: St. Faith’s Chapel, Westminster Abbey. View looking
west.]
placed side by side, one apparently the square, and the other of the
narrowest proportions; and in the outer vestibule beautiful miniature
vaulting, on minute columns, and with the segmental arch; while in St.
Faith’s Chapel, hard by, we have an excellent example of the sexpartite
vault (Figs. 379, 380). Parts of the aisles, too, are remarkable for the
subdivision of their bays by transverse arches of the double orders of
mouldings, giving a great nobleness and strength to their effect; and
all these varieties are carried out with admirable detail and studied
art.
It would lead me into too great length if I were to go into the moulding
of the ribs, their combinations where grouping and intersecting one
another in the springers, and the mode in which the shafts are arranged
for their support. My illustrations will, however, do much to explain
this. I must not omit to mention that in French buildings, and
frequently in the earlier English specimens, the plans of the abaci of
these shafts assume both forms and positions indicating the general
section and the directions of the ribs they carry,[59] and that this is
even shared by the _bases_; showing that the vaulting was the _very
first_ thing thought of and designed; and that, from the very floor of
the building, it influenced the general design. This was lost in England
by the introduction of the circular abacus.
I have hitherto dwelt wholly upon vaulting which has none but what I
have termed _functional_ ribs; that is to say, such as have a specific
utility, as transverse ribs to mark the boundaries of the bays, and to
strengthen the vault in its main span; diagonal ribs to fortify the
angles of intersection; and wall-ribs to support the vaulting surfaces
at their junction with the walls; and occasionally ridge ribs, though
these more properly belong to the succeeding stage. The next stage in
the history of vaulting is that in which other than merely functional
ribs are made use of--intermediate ribs, in fact, to subdivide the
spaces between those used during the previous period.
[Illustration: Fig. 381.]
Public-domain text, read in full here on John Shaqi.
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