Lectures on the rise and development of medieval architecture; vol. 2Scott, George Gilbert, Sir
History
Lectures on the rise and development of medieval architecture; vol. 2
Scott, George Gilbert, Sir
Architecture, Gothic; Architecture, Medieval
It was simply as follows:--First imagine, for argument’s sake, that the
architect had intended to divide his space into three spans--a wide and
two narrow ones--like the Lady Chapel at Salisbury, or the crypt of the
Sainte Chapelle at Paris, supporting the vaulting on ranges of thin
pillars (Fig. 395). The setting out of the divisions was about the
following. The whole span being divided into five parts, two were given
to the width of a bay, one to the imaginary aisle, and three to the
central span. The vaulting of the aisles, then, would be in oblongs of
double their width _set lengthway_ of the building, and the central span
in oblongs half as long again as their width _set crossway_ to the
building.
[Illustration: Fig. 395.]
Let us apply to each the rule I have already laid down for the fan
vaulting of oblongs. Beginning with the ideal aisles, from the pillars
and responds and centres draw the lower circles of the fans reaching the
apex of the _narrower_ arches, and the upper circles reaching the apex
of the _wider_ arch (Fig. 396). This gives us an oblong fan vault in its
most normal form.
[Illustration: Fig. 396.]
Then do precisely the same with the wider or central span, and our space
is covered with oblong fan vaulting of the most usual kind. Now, as the
lower arch of the central span is identical with the higher arch of the
side spans, it follows that the fans in the sides (or aisles) are
continued and completed in the central vault, the lower arch of the
small vault being also continued round to complete the design. The
decoration of the smaller fans then is in _two_ stages, and that of the
larger ones in _three_; but, the design of both being continuous, the
one is only an extension of the other.
Had the architect stopped here, no system of vaulting, on the fan
principle, or space so divided, could be more systematic or more simple
in its ideal.
He had no thought, however, of stopping at so commonplace a stage, and
his pillars were designed only to do their work on paper, and then to be
erased. The columns were omitted, and their places supplied by pendants;
but, as such a roof could not stand for a moment, something must be done
to supply the support which the pillars would have afforded.
[Illustration: Fig. 397.--Henry VII’s Chapel, Westminster Abbey.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account