Lectures on the rise and development of medieval architecture; vol. 2Scott, George Gilbert, Sir
History
Lectures on the rise and development of medieval architecture; vol. 2
Scott, George Gilbert, Sir
Architecture, Gothic; Architecture, Medieval
Now, the history of this concurrence of art with construction is the
History of Architecture; and, to an architectural historian who is
capable of taking at once an artistic, a philosophical, a political, and
a religious view of the facts which he chronicles, nothing can be more
interesting than to follow out from the earliest ages to which we can
carry back our researches, firstly, the practical changes in building,
arising from the exigencies of climate, the stage of civilisation, the
traditions of race, and the varied influences of political and religious
circumstances; and to connect with these the changes, the progress, and
perhaps the decline and degradation of the art made use of in the
decoration of their buildings; and to trace out the causes which led to
these changes.
Let us not, however, suppose that a knowledge, however intimate or
accurate, of architectural history, is of necessity a part of the study
of architecture itself. On the contrary, at no period when a genuine,
unborrowed style of architecture has prevailed, has any knowledge
whatever existed of the history of art; nor at any period previous to
our own has the history of architecture--beyond a very limited knowledge
of that of Greece and Rome--been viewed as an object of study.
From the dawn of civilisation to what is known as “the revival of
letters,” the leading nations of the world possessed each a genuine
architecture of their own; all growing, by a natural growth, from an
original stem--unborrowed and unimitated--and practised by artists
highly skilled in their art, but ignorant of its history.
The “revival of letters” was followed by a revival also of the
architecture of those races whose literature was resuscitated; and with
this revival came a certain, though scanty, knowledge of its history;
but the investigation of the entire history of architectural art, and
the constituting it into a branch of our literature, has been reserved
for a period which possesses no architectural style of its own,
excepting as the result of revival or imitation.
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