Lectures on the rise and development of medieval architecture; vol. 2Scott, George Gilbert, Sir
History
Lectures on the rise and development of medieval architecture; vol. 2
Scott, George Gilbert, Sir
Architecture, Gothic; Architecture, Medieval
The revived knowledge of the architecture of Greece rudely disturbed the
vernacular style derived from Rome, so that by about the year 1830 the
old state of things seemed almost hopelessly damaged; and every
architect, instead of working on the traditions handed down to him by
his predecessors, seemed to do just what was right in his own eyes,
though with a special rage for not very practicable reproductions of
Greek, coupled with a conviction that Roman and its derivatives were
little short of barbarous.
All the traditions of the past appeared to be broken up. Our every-day
architecture, as exhibited in ordinary houses, had become mean and
contemptible in the extreme; and, though things have since greatly
mended, it has been from a purely eclectic, and not in the least degree
from a traditional, point of view; while the untutored house-builder,
left to himself, even now disports himself in reminiscences of these
first decades of our century--the halcyon days of Gower Street and
Tavistock Place.
It was just at this strange juncture that, by some occult influence, the
public mind was brought back to view--first with interest, and then with
admiration and love--the long-neglected architecture of our own country
and our own race (or group of kindred races). At first this was with no
intention or thought of revival; it was only interest, admiration, and
love. Writers on this subject, whether friendly or hostile, affect to
systematise the movement; but it was wholly unsystematic. It arose from
the inmost feelings of the heart, and in no degree from premeditation or
plan.
It is now the fashion to speak contemptuously of revivals; and truly
they do seem strange and inconsistent after following the more natural
history of art from the dawn of civilisation to the Renaissance. Yet I
cannot but agree with Mr. Smirke that the Classic revival was, in the
land, at least, of its rise, a natural, spontaneous, and unpremeditated
movement of the human mind. That the Gothic Renaissance was so too, I
know, for it was my own happy lot to be a humble agent in it, and I am
old enough to have watched it, I may say practically, if not literally,
from its commencement.
Public-domain text, read in full here on John Shaqi.
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