Lectures on the rise and development of medieval architecture; vol. 2Scott, George Gilbert, Sir
History
Lectures on the rise and development of medieval architecture; vol. 2
Scott, George Gilbert, Sir
Architecture, Gothic; Architecture, Medieval
The last case I have named--that of the triangular gore of an apse or
circle (Fig. 341)--also solves the difficult case I mentioned at the
beginning of this lecture as arising in the groining of a polygon, owing
to the excessive lowness of the arch formed by the intersecting angles.
These are now raised to the full height of a semicircle, while if half
of such a polygonal vault be used for an apse, it agrees in height with
the main vault without the use of stilting.
It may, however, be mentioned that, as stilting is sometimes most useful
in making room for windows, it was not superseded by this invention;
the two systems continuing to be used at pleasure, and sometimes a union
of the two, which, however, is so arbitrary as to defy definition. The
form last described for a vaulted circle is often used as a variety of
the dome by raising numerous small arches round its circumference, and
giving a sort of fluted or shell-like surface to the dome.
I think I have now described the principal varieties of round-arched
vaulting with two exceptions. The one is that in which the side vaults
of oblong compartments cut the higher and main vault at a level lower
than its crown. This is vulgarly known as “Welsh” groining, and though
not quite pleasing in effect, it is a very legitimate mode of covering
an oblong compartment. It is customary to obviate the unpleasing
coal-scuttle shape of the true line of intersection (Fig. 342) (such as
may be seen in St. Martin’s Church), by making them take the lines given
by vertical planes, and throwing the irregular geometrical curve into
the surfaces of the cells where it does not strike the eye, or perhaps
generating them by the motion forward of the side arch (Fig. 343). This
has been done in the Sistine Chapel, and Mr. Smirke has, I think, done
the same in our Great Exhibition Room. In a ceiling to be decorated with
painting, this form of vaulting possesses the great advantage of leaving
the central range unbroken by diagonal lines.
[Illustration: St. Martin’s-in-the-Fields, London.
Fig. 342. Fig. 343.]
The other form I have omitted is the square or polygonal dome, or that
generated by the intersection of vaults running parallel to the sides
of the base, instead of, as in the groined vault, running at right
angles to them (Figs. 344, 345).
[Illustration: Fig. 344.]
[Illustration: Fig. 345.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account