Love stories; Nurses -- Fiction; World War, 1914-1918 -- Fiction
"At last the night came when we lay outside Tourteron. Bertrand called for
me and we bivouacked together. We were to attack some time before dawn,
after the moon had set. We could not trust our tongues--at such times
things are better left unsaid; so we lay and smoked and prayed against
what we feared. Only once Bertrand spoke--'François, to-morrow will see me
always a devil or a saint, le bon Dieu knows which.'
"The moon shone bright till after midnight. We lay under cover of thin
weeds, and beyond lay the meadow and stream and then the town. About
twelve we heard the crisp bark of a sniper--two, three shots; then
everything was still as death again. We were watching the shadows play
across the meadow and timing the minutes before the moon would sink, when
out of one of those shadows she came--straight across the meadow and the
moonlight. It was Nanette, ma'am'selle. We knew it on the instant. She had
a way of carrying the head and a step one could not forget. It was she the
sniper had been after. One side of her face was crimson, the other side
white and beautiful. But she did not seem to know, and the first look I
had told me she had gone quite mad.
"I could feel Bertrand Fauchet stiffen by my side; I could feel him reach
out for my Rosalie and grip it fast. Then he began a low or crooning call.
He dared not call out loud--he dared not move to give our troops away! It
was to be a surprise attack. So all he could do was to wait and call
softly as to a little child, 'Nanette chérie, allons, allons!'
"There had been a skirmish in the meadow two days before; we had given way
and the handful of dead we had left behind were still unburied. I think
Nanette had heard that the Chasseurs Alpins had come and she had stolen
out to find her lover. She came slowly, so slowly, and frail as a shadow
herself. As she passed each corpse she knelt beside it and sang the
foolish little berceuse that Poitou mothers sing to their babies. We could
hear the humming far away, and as she came nearer we could hear the words.
Ma'am'selle knows them, perhaps?
"'Ah! Ah! papillon, marie-toi--
Hélas, mon maître, je n'ai pas de quoi,
La dans ma bergeri-e
J'ai cent moutons; ça s'ra pour faire les noces de papillon.'"
[Illustration: "The first look I had told me she had gone quite mad"]
The soldier crooned the song through to himself as if under the spell of
the story he was telling. Then he went on. "She sang it through each time,
patting the blue coats, pushing back the caps of those who still wore
them, looking hard into each dead face. But she would always turn away
with the little shake of the head, so triste, ma'am'selle. And all the
time the man beside me calling out his heart in a whisper--'Nanette--
Nanette--allons, chérie!'
Public-domain text, read in full here on John Shaqi.
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