He returned the picture to the pigeonhole, and investigated the
contents of the other letter, consisting of a single sheet of paper, on
which a brief note had apparently been scrawled with much haste.
The handwriting was masculine, and there was no date line to tell
from whence it had come, but the first two words were enough to give
Hutchinson considerable satisfaction. They were: “Dear Hazelton.” With
some trouble, the manager deciphered what followed:
Don’t worry any more about the Kernell case. Wyloft &
Pettengall have informed me that it will surely be settled out
of court. I’ll have further information from them in a few
days, but I’m sure there’ll be no necessity for you to come
back here until you get through with your baseball job.
Hope you make good up there in the bush, though you were afraid
when you left that your arm had lost some of its cunning. Let
me know what success you are having.
Ever yours,
GRANDALL.
“Ah!” breathed Bob Hutchinson. “As proof, I think this should satisfy
Riley. The envelope is addressed to ‘Tom Locke,’ but the writer
calls him Hazelton in the message. That settles it. I don’t need the
envelope, but I think I’ll keep its contents for Riley’s eyes. Now, we
can go ahead without hesitation, and sink the harpoon to the hilt.”
CHAPTER XXXI
TOM, TOMMY AND JANET
In a grove upon the bank of the log-choked river, Tom Locke lay
stretched on a carpet of brown pine needles, reading from a little
book. The sunshine, sifting through the trees, cast upon the ground
golden fleckings, which wavered and danced as a soft breeze stirred the
upper branches.
By turning his head and lifting his eyes, Tom could catch a glimpse,
through an opening, of the distant village and the mills below the dam,
silent and dozing in the peaceful warmth of the Sabbath afternoon. So
absorbed was he, however, that he rarely paused to give attention to
that view.
He scarcely heard the sounds of children’s voices in the grove; sounds
which gradually drew nearer. When at last he did take note, it was
because their close approach had aroused him, but, trusting he would be
left undisturbed in his glade, he resumed his reading.
Suddenly he was startled into full attention by a voice which called:
“Tommy, Tommy, where are you?”
The voice, clear, mellow, flute-like, gave him a singular thrill that
brought him up to a sitting position. The book dropped from his hand,
forgotten. No child’s voice was that; he had heard it before, coming
from lips whose fair curve and fullness he could not forget, and,
though he chided himself for his folly, its echoes had haunted him even
in his dreams.
He waited, breathless, expectant, desiring to hear the call repeated,
and that desire was quickly gratified.
“Tommy, Tommy, why don’t you answer me?”
Public-domain text, read in full here on John Shaqi.
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