Legendary & romantic tales of Indian historyCaunter, Hobart
History
Legendary & romantic tales of Indian history
Caunter, Hobart
India -- History -- Fiction
“You know not a woman’s resolution,” replied the young widow firmly; “I
will never consent to the degradation you propose. Do your worst.”
“Be it so, then,” cried the Brahmin, and seizing a staff, he was about
to strike a gong that hung from an iron bar which crossed the chamber
about six feet from the floor, when a strange noise was heard without,
and the image vibrated to its very foundation. The Brahmin trembled,
and sank upon his knees. The beautiful Hindoo gazed on him in silence
and without emotion. The noise increased, the walls of the chamber
oscillated. With the calm confidence of speedy deliverance she looked
forward to the result. Her companion was still upon his knees overcome
by the stupefaction of terror.
Voices were now distinctly heard, and one smote on the widow’s ear
like familiar music. It was Mahmood’s. He had entered the temple of
Somnat just as the lovely widow had ascended into the hollow bosom of
the image. Having seen his orders executed upon the colossal frame, a
crowd of Brahmins, perceiving their god in jeopardy, rushed forward
and besought the king’s attendants to intercede with their sovereign
to spare it, offering Mahmood a large sum of money, to be instantly
paid down, if he would desist from further mutilation. His officers
endeavoured to persuade the king to accept the money, urging that as
the destruction of one idol would not put an end to idolatry, it could
not serve the cause of true religion entirely to destroy the image; but
that the sum offered might be distributed among the faithful, which
would be a meritorious act.
The monarch acknowledged there might be much truth in what they said,
but, nevertheless, declared that he would not consent to a measure
which would place him before posterity as Mahmood the “Idol-seller;”
whereas it was the height of his ambition to be known as Mahmood “The
Destroyer of Idols.”
Having finally delivered his determination, he ordered his troops to
proceed with the work of destruction. The gigantic image tottered
beneath their strokes. It was at length split; the next blow laid open
its hollow body, and to the surprise of the king and his officers
its immense wealth was exposed to view; but their astonishment was
infinitely increased when upon enlarging the opening, the Hindoo widow
appeared standing in the centre of the cavity with the aged Brahmin
kneeling beside her. The king instantly recognized her. She rushed
towards him and exclaiming, “My deliverer!” fell into his arms.
“You have saved me,” she cried hysterically, “from pollution and from
death. Yonder is my persecutor. In another hour I should have been what
I shudder to contemplate.”
Public-domain text, read in full here on John Shaqi.
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