This extract from a long and very complex poem illustrates significant
aspects of mediæval religious allegory. The poem itself was written in
French by Robert Grosseteste, Bishop of Lincoln (who died in 1253),
and was translated into English several times because of its great
popularity. Beginning with an account of the Creation and of the Fall
of Man, the poet went on to tell a parable of a Being who had one Son,
His equal in all ways, four daughters (named Mercy, Truth, Right, and
Peace), and a thrall (named Adam), who was in prison. Mercy and Peace
pleaded for the thrall's releases, but Truth and Right objected, so the
thrall was punished. Mercy and Peace fled from the land, and the world
(except Noah and his family) was drowned. Peace once more appealed for
the ransom of the thrall, and the King's Son, hearing the dispute of
the four sisters, said He would put on the garments of the thrall and
force Peace and Right to be reconciled, and the world would be saved.
So Christ entered into the Castle of Love, and was born on earth for
the redemption of mankind. An account of the life and passion and
resurrection of Christ is given, and the poem concludes with a prayer
that we may all be led by Him to everlasting bliss.
The best edition of the English version is
HORSTMANN, C. "The Minor Poems of the Vernon Manuscript," Part I,
Early English Text Society, No. 98. This edition contains a version
made in the latter part of the thirteenth century, and also a version
by a monk of Sawley, in Yorkshire. The present extract is taken from
the Sawley monk's translation (ll. 361-452) because that version gives
the allegory in more coherent and careful detail than do the other
versions, which fail to explain some of the symbolism.
BESTIARY
Lion, Eagle, Whale, Siren
Public-domain text, read in full here on John Shaqi.
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