Legends of Florence: Collected from the People, First SeriesLeland, Charles Godfrey
History
Legends of Florence: Collected from the People, First Series
Leland, Charles Godfrey
Folk literature, Italian -- Italy -- Florence
“Now it happened that Artemisia in time attracted the attention and love
of a young gentleman, who, while of moderate estate, was by no means
rich; and he had learned to know her through his mother, an admirable
lady, who had often employed Artemisia, and been impressed by her beauty
and goodness. So it happened that the mother favoured the son’s suit,
and as Artemisia loved the young man, it seemed as if her sufferings
would soon be at an end, for be it observed that the witch treated the
maid at all times with extraordinary cruelty.
“But it did not suit the views of the old woman at all that the girl on
whom she reckoned to bring in much money from great protectors, and whom
she was wont to call the cow from whom she would yet draw support, should
settle down into the wife of a small noble of moderate means. So she not
only scornfully rejected the suit, but scolded and beat Artemisia with
even greater wickedness than ever.
“But there are times when the gentlest natures (especially when supported
by good principles and truly good blood) will not give way to any
oppression, however cruel, and Artemisia, feeling keenly that the
marriage was most advantageous for her, and a great honour, and that her
whole heart had been wisely given, for once turned on the old woman and
defied her, threatening to appeal to the law, and showing that she knew
so much that was wicked in her life that the witch became as much
frightened as she was enraged, well knowing that an investigation by
justice would bring her to the bonfire. So, inspired by the devil, she
turned the girl into a cow, and shut her up in a stable in the courtyard
of the house, where she went every day two or three times to beat and
torture her victim in the most fiendish manner.
“Meanwhile the disappearance of Artemisia had excited much talk and
suspicion, as it followed immediately after the refusal of the old woman
to give her daughter to the young gentleman. And he indeed was in sad
case and great suffering, but after a while, recovering himself, he began
to wonder whether the maid was not after all confined in the Via
Vacchereccia. And as love doubles all our senses and makes the deaf
hear, and, according to the proverb, ‘he who finds it in his heart will
feel spurs in his flanks,’ so this young man, hearing the old woman
spoken of as a witch, began to wonder whether she might not be one in
truth, and whether Artemisia might not have been _confinata_ or enchanted
into some form of an animal, and so imprisoned.
“And, full of this thought, he went by night to the house, where there
was an opening like a window or portal in the courtyard, and began to
sing:
“‘Batte le dodici a una campana,
Si sente appena dalla lontana.
“‘Se almeno la voce potessi sentire,
Della mia bella che tanto deve soffrire.’
“‘Midnight is striking, I hear it afar,
High in the heaven shines many a star.
Public-domain text, read in full here on John Shaqi.
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