Bastille; Latude, Henri Masers de, 1725-1805; Mattioli, Ercole Antonio, conte, 1640-1703
In 1745 there had just appeared a sort of romance entitled _Notes
towards the History of Persia_, which was attributed, not without some
reason, to Madame de Vieux-Maisons. The book contained a story within a
story, in which the mysterious prisoner, who was beginning to be talked
about everywhere, was identified with the Duke de Vermandois, and to
this fact was due the sensation which the book caused. Voltaire
immediately saw how he could turn the circumstance to account. He had
himself at one time been confined in the Bastille, which was one reason
for speaking of it; but he did not dare put in circulation suddenly,
without some preparation, the terrible story he had just conceived, and,
with a very delicate sensitiveness to public opinion, he contented
himself with printing the following paragraph in the first edition of
his _Age of Louis XIV._: "A few months after the death of Mazarin there
occurred an event which is unexampled in history, and, what is not less
strange, has been passed over in silence by all the historians. There
was sent with the utmost secrecy to the château of the Isle of
Sainte-Marguerite, in the Sea of Provence, an unknown prisoner, of more
than ordinary height, young, and with features of rare nobility and
beauty. On the way, this prisoner wore a mask the chinpiece of which was
fitted with springs of steel, which allowed him to eat freely with the
mask covering his face. The order had been given to kill him if he
uncovered. He remained in the island until an officer in whom great
confidence was placed, named Saint-Mars, governor of Pignerol, having
been made governor of the Bastille, came to the Isle of
Sainte-Marguerite to fetch him, and conducted him to the Bastille,
always masked. The Marquis de Louvois saw him in the island before his
removal, and remained standing while he spoke to him, with a
consideration savouring of respect." Voltaire, however, does not say who
this extraordinary prisoner was. He observed the impression produced on
the public by his story. Then he ventured more boldly, and in the first
edition of his _Questions on the Encyclopædia_ insinuated that the
motive for covering the prisoner's face with a mask was fear lest some
too striking likeness should be recognized. He still refrained from
giving his name, but already everyone was on tip-toe with the
expectation of startling news. At last, in the second edition of
_Questions on the Encyclopædia_, Voltaire intrepidly added that the man
in the mask was a uterine brother of Louis XIV., a son of Mazarin and
Anne of Austria, and older than the king. We know what incomparable
agitators of public opinion the Encyclopædists were.
Once hatched, the story was not long in producing a numerous progeny,
which grew in their turn and became a monstrous brood.
Public-domain text, read in full here on John Shaqi.
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