Legends of the Madonna as Represented in the Fine ArtsJameson, Mrs. (Anna)
Religion
Legends of the Madonna as Represented in the Fine Arts
Jameson, Mrs. (Anna)
Christian saints in art; Mary, Blessed Virgin, Saint -- Art; Mary, Blessed Virgin, Saint -- Legends
The introduction of St. Anna into a Holy Family, as part of the
domestic group, is very appropriate and graceful; but this of course
admits, and indeed requires, a wholly different sentiment. The same
remark applies to St. Joseph, who, in the earlier representations
of the enthroned Virgin, is carefully excluded; he appears, I think,
first in the Venetian pictures. There is an example in a splendid
composition by Paul Veronese. (Acad. Venice.) The Virgin, on a lofty
throne, holds the Child; both look down on the worshippers; St.
Joseph is partly seen behind leaning on his crutch. Round the throne
stand St. John the Baptist, St. Justina, as patroness of Venice, and
St. George; St. Jerome is on the other side in deep meditation. A
magnificent picture, quite sumptuous in colour and arrangement, and
yet so solemn and so calm![1]
[Footnote 1: There is another example by Paul Veronese, similar in
character and treatment, in which St. John and St. Joseph are on the
throne with the Virgin and child, and St. Catherine and St. Antony
below.]
The composition by Michael Angelo, styled a "Holy Family," is,
though singular in treatment, certainly devotional in character,
and an enthroned Virgin. She is seated in the centre, on a raised
architectural seat, holding a book; the infant Christ slumbers,--books
can teach him nothing, and to make him reading is unorthodox. In the
background on one side, St. Joseph leans over a balustrade, as if in
devout contemplation; a young St. John the Baptist leans on the other
side. The grand, mannered, symmetrical treatment is very remarkable
and characteristic. There are many engravings of this celebrated
composition. In one of them, the book held by the Virgin bears on one
side the text in Latin, "_Blessed art thou among women, and blessed is
the fruit of thy womb._" On the opposite page, "_Blessed be God, who
has regarded the low estate of his hand-maiden. For, behold, from
henceforth all generations shall call me blessed._"
While the young St. John is admitted into' such close companionship
with the enthroned Madonna, his mother Elizabeth, so commonly and
beautifully introduced into the Holy Families, is almost uniformly
excluded.
Public-domain text, read in full here on John Shaqi.
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