10. We will now turn to a conception altogether different, and equally a masterpiece; it is the small but exquisitely finished composition by Rembrandt. (Grosvenor Gal.) The scene is the garden in front of the house of Zacharias; Elizabeth is descending the steps in haste to receive and embrace with outstretched arms the Virgin Mary, who appears to have just alighted from her journey. The aged Zacharias, supported by a youth, is seen following Elizabeth to welcome their guest. Behind Mary stands a black female attendant, in the act of removing a mantle from her shoulders; in the background a servant, or (as I think) Joseph, holds the ass on which Mary has journeyed; a peacock with a gem-like train, and a hen with a brood of chickens (the latter the emblem of maternity), are in the foreground. Though the representation thus conceived appears like a scene of every-day life, nothing can be more poetical than the treatment, more intensely true and noble than the expression of the diminutive figures, more masterly and finished than the execution, more magical and lustrous than the effect of the whole. The work of Albertinelli, in its large and solemn beauty and religious significance, is worthy of being placed over an altar, on which we might offer up the work of Rembrandt as men offer incense, gems, and gold. As the Visitation is not easily mistaken, I have said enough of it here; and we pass to the next subject,--The Dream of Joseph. * * * * * Although the feast of the Visitation is fixed for the 2d of July, it was, and is, a received opinion, that Mary began her journey to the hill country but a short time, even a few days, after the Annunciation of the angel. It was the sixth month with Elizabeth, and Mary sojourned with her three months. Hence it is supposed, by many commentators, that Mary must have been present at the birth of John the Baptist. It may seem surprising that the early painters should not have made use of this supposition. I am not aware that there exists among the numerous representations of the birth of St. John, any instance of the Virgin being introduced; it should seem that the lofty ideas entertained of the Mater Dei rendered it impossible to place her in a scene where she would necessarily take a subordinate position: this I think sufficiently accounts for her absence.[1] Mary then returned to her own dwelling at Nazareth; and when Joseph (who in these legendary stories is constantly represented as a house-carpenter and builder, and travelling about to exercise his trade in various places) also came back to his home, and beheld his wife, the suspicion entered his mind that she was about to become a mother, and very naturally his mind was troubled "with sorrow and insecure apprehensions; but being a just man, that is, according to the Scriptures and other wise writers, a good, a charitable man, he would not openly disgrace her, for he found it more agreeable to justice to