[Sidenote: Origin of the legend.] The most mystical and spiritual of all the romances of chivalry is doubtless the legend of the Holy Grail. Rooted in the mythology of all primitive races is the belief in a land of peace and happiness, a sort of earthly paradise, once possessed by man, but now lost, and only to be attained again by the virtuous. The legend of the Holy Grail, which some authorities declare was first known in Europe by the Moors, and christianized by the Spaniards, was soon introduced into France, where Robert de Borron and Chrestien de Troyes wrote lengthy poems about it. Other writers took up the same theme, among them Walter Map, Archdeacon of Oxford, who connected it with the Arthurian legends. It soon became known in Germany, where, in the hands of Gottfried von Strassburg, and especially of Wolfram von Eschenbach, it assumed its most perfect and popular form. The "Parzival" of Eschenbach also forms the basis of a recent work, the much-discussed last opera of the great German composer, Wagner.[1] [Footnote 1: See Guerber's Stories of the Wagner Opera.] The story of the Grail is somewhat confused, owing to the many changes made by the different authors. The account here given, while mentioning the most striking incidents of other versions, is in general an outline of the "Titurel" and "Parzival" of Von Eschenbach. [Sidenote: The Holy Grail.] When Lucifer was cast out of heaven, one stone of great beauty as detached from the marvelous crown which sixty thousand angels had tendered him. This stone fell upon earth, and from it was carved a vessel of great beauty, which came, after many ages, into the hands of Joseph of Arimathea. He offered it to the Savior, who made use of it in the Last Supper. When the blood flowed from the Redeemer's side, Joseph of Arimathea caught a few drops of it in this wonderful vessel; and, owing to this circumstance, it was thought to be endowed with marvelous powers. "Wherever it was there were good things in abundance. Whoever looked upon it, even though he were sick unto death, could not die that week; whoever looked at it continually, his cheeks never grew pale, nor his hair gray." Once a year, on the anniversary of the Savior's death, a white dove brought a fresh host down from heaven, and placed it on the vessel, which was borne by a host of angels, or by spotless virgins. The care of it was at times intrusted to mortals, who, however, had to prove themselves worthy of this exalted honor by leading immaculate lives. This vessel, called the "Holy Grail," remained, after the crucifixion, in the hands of Joseph of Arimathea. The Jews, angry because Joseph had helped to bury Christ, cast him into a dungeon, and left him there for a whole year without food or drink. Their purpose in doing so was to slay Joseph, as they had already slain Nicodemus, so that should the Romans ever ask them to produce Christ's body, they might declare that it had been stolen by Joseph of Arimathea.