[Sidenote: Origin of the story.] The story of Tristan, which seems to have
been current from earliest times, refers, perhaps, to the adventures of a
knight, the contemporary of Arthur or of Cassivellaunus. The tale seems to
have already been known in the sixth century, and was soon seized upon by
the bards, who found it a rich theme for their metrical romances. It is
quite unknown whether it was first turned into Latin, French, or Welsh
verse; but an established fact is that it has been translated into every
European language, and was listened to with as much interest by the
inhabitants of Iceland as by those of the sunny plains of Greece.
We know that there are metrical versions, or remains of metrical versions,
attributed to Thomas of Ercildoune (the Rhymer), to Raoul de Beauvais,
Chrestien de Troyes, Rusticien de Pise, Luces de Cast, Robert and Hélie de
Borron, and Gottfried von Strassburg, and that in our day it has been
retold by Matthew Arnold and Swinburne, and made the subject of an opera by
Wagner. These old metrical versions, recited with manifold variations by
the minstrels, were finally collected into a prose romance, like most of
the mediaeval poems of this kind.
The outline of the story, collected from many different sources, is as
follows:
Meliadus (Rivalin, or Roland Rise) was Lord of Lyonesse (Ermonie, or
Parmenia), and after warring for some time against Morgan, he entered into
a seven-years' truce. This time of respite was employed by Meliadus in
visiting Mark, King of Cornwall, who dwelt at Tintagel, where he was
holding a great tournament. Many knights of tried valor hurried thither to
win laurels, but none were able to unhorse Meliadus, who obtained every
prize.
His courage was such that he even won the heart of Blanchefleur, the sister
of the king. As the monarch refused to consent to their union, the young
people were secretly married, or eloped, if we are to believe another
version of the story.
[Sidenote: Birth of Tristan.] According to the first account, Blanchefleur
remained at court, where, hearing that her husband had died, she breathed
her last in giving birth to a son, whom she called Tristan (Tristrem),
because he had come into the world under such sad circumstances. The second
version relates that Blanchefleur died as Morgan entered the castle over
her husband's dead body, and that her faithful retainer, Kurvenal (Rohand,
Rual), in order to save her son, claimed him as his own.
The child Tristan grew up without knowing his real parentage, learned all
that a knight was expected to know, and became especially expert as a
hunter and as a harp player. One day he strolled on board of a Norwegian
vessel which had anchored in the harbor near his ancestral home, and
accepted the challenge of the Norsemen to play a game of chess for a
certain wager.
Public-domain text, read in full here on John Shaqi.
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