Ballads, Spanish; Legends -- Spain; Spanish literature -- History and criticism
Legend tells us that when Mohammed el Haygari, or 'the Left-handed,'
reigned in Granada he once encountered a train of horsemen riding
back from a foray in Christian lands. He observed in the ranks of
their captives a beautiful damsel richly attired, and learned that
she was the daughter of the commander of a frontier fortress which
had been taken and sacked in the course of the expedition. The lady
was accompanied by a duenna, and Mohammed ordered that both women
should be conveyed to his harem.
Day by day he urged the captive damsel to become his queen. But his
faith as well as his age caused her family to reject his advances. In
his perplexity he resolved to enlist the good graces of her duenna,
who undertook to plead his cause with her young mistress. She told
the lady that she was foolish to pine in a beautiful palace, who had
henceforth been used only to a dull old frontier castle, and that by
marrying Mohammed she could make herself mistress of all she surveyed
instead of remaining a captive. At last her arguments prevailed. The
Spanish lady consented to unite herself to the Moorish monarch,
and even outwardly conformed to his religion, which the duenna also
embraced with all the fervour of a proselyte, being re-named Kadiga.
In course of time the Spanish lady presented her lord with three
daughters at a single birth. The Court astrologers cast the nativities
of the infants, and with many ominous warnings cautioned their father
to keep strict guard over them when they arrived at a marriageable age.
Shortly afterward his queen died, and Mohammed, with the astrologers'
warning ringing in his ears, resolved to shut the princesses up in
the royal castle of Salobreña, a place of great strength, overlooking
the Mediterranean, where he felt certain no harm could come to them.
Years passed and at length the princesses became of marriageable
age. Although they had been brought up by the discreet Kadiga with
the greatest care, and had always been together, their characters
were of course very different one from another. Zayda, the eldest,
was of an intrepid spirit, and took the lead in everything. Zorayda,
the second, had a strong sense of beauty, which probably accounted
for the fact that she spent a large portion of her time gazing in the
glass, or in the fountain which plashed and sang in the marble court
of the castle. Zorahayda, the youngest, was soft and timid, and given
to reverie. All three were surpassingly beautiful, and as she gazed
upon them the shrewd old Kadiga would shake her head and sigh. When
they inquired of her why she did so, she would turn the question aside
with a laugh and direct the conversation to a less dangerous topic.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account