Ballads, Spanish; Legends -- Spain; Spanish literature -- History and criticism
Ahmed's feelings were most unenviable, for among those whom he had
unhorsed in his wild career had been the King himself, the father
of Aldegonda, who, on witnessing the overthrow of his guests, had
angrily rushed to their assistance. Full of anxiety, he dispatched
his winged messengers to gather tidings. The parrot returned with a
world of gossip. Toledo, he said, was in consternation; the princess
had been carried home senseless, and the general opinion was that
the prince was either a Moorish magician or a demon such as tradition
said dwelt in the mountain caverns.
It was morning when the owl came back. He had peered through the
windows of the palace, and had seen the princess kiss Ahmed's letter,
and give way to loud lamentations. Later, she was conveyed to the
highest tower in the palace, every avenue to which was strictly
guarded. But a melancholy, deep and devouring, had settled upon her,
and it was thought that she was the victim of magic, so that at last
a great reward--the richest jewel in the royal treasury--was offered
to anyone who should effect her cure.
Now the wise owl chanced to know that in the royal treasury was
deposited a certain box of sandal-wood secured by bands of steel, and
inscribed with mystic characters known only to the learned few. This
coffer contained the silken carpet of Solomon the Great, which had
been brought to Spain by exiled Jews. All this caused the prince to
ponder deeply. Next day he laid aside his rich attire, and arrayed
himself in the simple garb of an Arab of the desert, dyeing his face
and hands a tawny brown. Thus disguised, he repaired to the royal
palace, and after some delay, was admitted. When the King asked him
his business, he boldly claimed his ability to cure the princess, who,
he said, was certainly possessed of a devil, which he could exorcise
by the power of music alone, as the folk of his tribe were wont to do.
Public-domain text, read in full here on John Shaqi.
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