Ballads, Spanish; Legends -- Spain; Spanish literature -- History and criticism
By no race was the practice of the occult arts studied with such
perseverance as by the Moors of Spain, and it is strange indeed that
only fragmentary notices of their works in this respect remain to
us. The statement that they were famous for magical and alchemical
studies is reiterated by numerous European historians, but the majority
of these have refrained from any description of their methods, and
the Moors themselves have left so few undoubted memorials of their
labours in this direction that we remain in considerable ignorance of
the trend of their efforts, so that if we desire any knowledge upon
this most recondite subject we must perforce collect it painfully
from the fragmentary notices of it in contemporary European and
Arabic literature.
The first name of importance which we encounter in the broken annals
of Moorish occultism is a great one--that of the famous Geber, who
flourished about 720-750, and who is reported to have penned upward
of five hundred works upon the philosopher's stone and the elixir of
life. In common with his fellow-alchemists, he appears to have failed
signally in his search for those marvellous elements, but if he was
unable to point the way to immortal life and boundless wealth, he is
said to have given mankind the nitrate of silver, corrosive sublimate,
and nitric acid. He believed that a preparation of gold would heal
all diseases in both animals and plants, as well as in human beings,
and that all metals were in a condition of chronic sickness in so
far that they had departed from their natural and original state
of gold. His works, all of which are in Latin, are not considered
authentic, but his Summa Perfectionis, a manual for the alchemical
student, has frequently been translated.
The Moorish alchemists taught that all metals are composed of varying
proportions of mercury and sulphur. They laboured strenuously to
multiply drugs out of the various mixtures and reactions of the
few chemicals at their disposal, but although they believed in the
theory of transmutation of metals they did not strive to effect
it. It belonged to their creed rather than to their practice. They
were a school of scientific artisans and experimentalists, first and
last. They probably owed their alchemical knowledge to Byzantium,
which in turn had received it from Egypt; or it may be that the Arabs
drew their scientific inspiration at first hand from the land of the
Nile, where the 'great art' of alchemy undoubtedly had its birth.
Astrology
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