Ballads, Spanish; Legends -- Spain; Spanish literature -- History and criticism
Don Quixote, the central figure of the mighty satire which gave its
death-blow to chivalry, is perhaps typical of the romance reader of
Cervantes' day. Crack-brained and imaginative to the verge of madness,
he is entirely lost to the uses of everyday existence. He lives in a
world of his own, and has nothing in common with that of his time,
to the spirit of which he cannot adapt himself. In this gentleman
of La Mancha the vices of the imagination are well portrayed, but
they are unaccompanied by those gifts through which imagination
can be rendered of utility to the community. Don Quixote dwells on
the heights of a chivalric Parnassus, a land of magic peopled by
the spectres and shadows which he has encountered in the books with
which his library is so well furnished. His imagination is thus not
even creative, but derivative; reliance upon the "idols he has loved
so long" has "done his credit in men's eyes much wrong," and he is
regarded by his neighbours as an amiable lunatic of no importance. But
the dreamer, when roused to action, can be a very terrible person if
his visions chance to direct him astray, and if he attempt to realize
a nightmare. Thus it was with Don Quixote. Scarcely mad enough for
confinement, but yet sufficiently crazy to become a public nuisance,
if not a public menace, he justly typifies the kind of person in
whom romance runs mad, and is thus of the same class as the small boy
who is incited to acts of petty larceny by the perusal of detective
stories, or the young lady behind the ribbon-counter who is under
the impression that she is the long-lost daughter of a mysterious peer.
It is symptomatic of such craziness that it craves companionship. It
is indeed a species of vanity which must have an audience, however
small or however unsuited to its purposes. Again, the element of
conspiracy is as the apple of its eye, and it must confide its ideas
and aspirations to one sympathetic ear at least. In Sancho Panza, Don
Quixote finds a strange confidant. The luckless peasant is completely
unable to comprehend his master's point of view, but is carried away
by his rodomontades and the glib and gorgeous promises of preferment
and prosperity which the crack-brained knight holds out to him. To
his participation in the wild scheme of the visionary Don, Sancho's
shrewd spouse violently objects, but when dreamer and dunce get
together common sense may hold its tongue and content itself with the
knowledge that it is not until windmills have been tilted at and sound
trouncings have been received that its advice will be listened to.
Public-domain text, read in full here on John Shaqi.
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