Ballads, Spanish; Legends -- Spain; Spanish literature -- History and criticism
The Ninth Book carries on the adventures and exploits of the race of
Amadis, who in more senses than one may be said to be immortal. It
was first published in 1535 at Burgos, a place of many literary
associations, and purports to have been imitated in Latin from the
Greek, after the manner of the famous Troy romance Dares and Dictys,
and at a later time translated into the Romance language by the potent
and wise magician Alquife, evidently a supposititious Moor pressed
into the service of the most imaginative but undisciplined writer
who fabricated it. Amadis of Greece, indeed, approaches the sublime
of imaginative excess and fictional unreason, and in its extravagant
pages we are confronted with such a maze of marvel that to provide
an intelligent account of it is a task of no little difficulty.
Following the wild career of the romancer with the halting step
of modern incredulity, we learn that Amadis of Greece was, like his
forbears, a child unwanted, the son of Lisuarte and Onoloria, Princess
of Trebizond, born shortly after the period of their interrupted
wedding. While the infant was being baptized at a fountain in a wild
and deserted place, to which he had been conveyed for the purposes of
secrecy, he was carried off by corsairs, who sold him to the Moorish
King of Saba. Distinguished by the representation of a sword upon his
breast, he adopted the name, when knighted by the pagan monarch, of
'The Knight of the Flaming Sword.' Soon after he had entered the ranks
of chivalry he was falsely accused of cherishing a secret love for
the Queen of Saba, and, dreading the wrath of his benefactor, he made
his escape, and embarked upon a career of adventure--which, indeed,
it would have been difficult for anyone of his lineage to have avoided.
A pagan in religion and sentiment, he came to the vicinity of the
Forbidden Mountain which his grandfather had been instrumental in
liberating from the clutches of the infidel, and, reversing the pious
work then accomplished, he defeated and expelled those who held it
for the Emperor of Greece. Aroused by the menacing turn events had
taken, the great Esplandian himself, now Emperor of Constantinople,
hastened to the scene of hostilities and engaged in single combat
with the doughty new-comer, only, however, to suffer defeat at his
hands, an event which never could have entered into the calculation
of the enthusiastic author who composed the romance of that hero, who
would have been horrified at the mere thought of the eclipse of his
invincible 'star.' Shortly after this Amadis encountered the King of
Sicily. Their acquaintance commenced with a combat, as it was indeed
essential that it should, as the only fitting means of introduction
between gentlemen of errant tendencies, but when they came to know
and esteem each other they patched up a comradeship which was the
more powerfully cemented by the passion of Amadis for the martial
monarch's lovely daughter.
Public-domain text, read in full here on John Shaqi.
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