We have thus discovered that all motions conspire together, or form a system. But in their unity they do not cease to be motions, or variously differentiated members. Through this differentiation, or mutual reaction of motions, there comes about the appearance of boundaries, of separation. From these boundaries or terminations arise the form and size of bodies. From motion also proceeds the cohesion of bodies, in the sense that each relative system resists dissolution, or hangs together. Says Leibniz, "The motions, since they are conspiring, would be troubled by separation; and accordingly this can be accomplished only by violence and with resistance." Not only form, size, and stability depend upon motion, but also the sensible, the "secondary" qualities. "It must not be supposed that color, pain, sound, etc., are arbitrary and without relation to their causes. It is not God's way to act with so little reason and order. There is a kind of resemblance, not entire, but of relation, of order. We say, for example, 'Light is in the fire,' since there are motions in the fire which are imperceptible in their separation, but which are sensible in their conjunction or confusion; and this is what is made known in the idea of light." In other words, color, sound, etc., even pain, are still the perception of motion, but in a confused way. We thus see how thoroughly Leibniz carries back all the properties of bodies to motion. To sum up, motion is the origin of the relative solidity, the divisibleness, the form, the size, the cohesion, or active resistance of bodies, and of their properties as made known to us in immediate sensation. In all that has been said it has been implied that extension is already in existence; "first matter" is supposed to fill all space, and motion to determine it to take upon itself its actual concrete properties. But this "first matter," when thus spoken of, has a somewhat mythological sound, even if it be admitted that it is an abstraction. For how can an abstraction be extended in space, and how can it form, as it were, a background upon which motion displays itself? The idea of "first matter" in its relation to extension evidently demands explanation. In seeking this explanation we shall also learn about that "subject" which Leibniz said was necessarily presupposed in extension, as a concrete thing is required for a quality. The clew to the view of Leibniz upon this point may be derived, I think, from the following quotations:--