Leila at Home: a continuation of Leila in EnglandTytler, Ann Fraser
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Leila at Home: a continuation of Leila in England
Tytler, Ann Fraser
Christian life -- Juvenile fiction; Country life -- Juvenile fiction; Cousins -- Juvenile fiction
“Yes,” Leila answered, “it will; and I will tell you how. Very often
when it clears up after rain, and the flowers look very bright, you wish
to gather them for drying--I always tell you that it is a bad time, but
still you often try to do it--and they get quite dim and discoloured,
and you are obliged to throw them away. Now when I wish to dry them, I
wait till it has been quite fair for several days, and when it is bright
and sunny, and there is no damp in the air, I gather the flowers. I
always choose those that are very bright and fully blown, but before
they have begun to fade in the slightest degree. If they have a decayed
speck no bigger than the head of a pin, do not gather them, for they
will not be bright when dried.”
“And what more do you do?”
“I put them between folds of close smooth writing-paper, never into
blotting-paper.”
“But Lydia told me it should be blotting-paper.”
“No, I have tried that; but the blotting-paper seems to suck the colour
out of them. Well, I place those papers between the leaves of a book,
and tie it tight up with a ribbon, and put it under a weight; if it is a
very tender flower, such as the blue convolvulus, for instance, then you
must not put a very heavy weight, the weight must be in proportion to
the tenderness of the flower. Next day I change the papers that there
may be no damp about them, for nothing spoils their colour so much as
damp. Now all this, you see, takes patience; for sometimes I have to
change the papers more than once.”
“Yes,” Matilda observed, “and such patience, that I am sure I shall
never be able to do it. And this is all then?”
“No; in putting the flowers into dry bits of paper you must do it very
gently, that they may lie quite smooth; for much of their beauty depends
on their looking smooth, and not shrivelled up in any way; and I forgot
to tell you that sometimes before putting them in at all, I bend the
stalks a little to make them lie gracefully. The stalks of the geraniums
are so stiff and straight, that I am obliged to take off the
flower-heads, and put them in papers by themselves, and then I flatten
the stalks and bend them a little before I begin to dry them. The ferns,
which you like so much, grow so gracefully, that I seldom have to bend
them at all, but just to lay them on paper as they grow. The young ferns
of a bright tender green do best: indeed, all green leaves should be
dried when they first come out, before they have got to be a deep
colour, for green is a very difficult colour to dry well; most yellow
flowers do very well, the yellow crocus keeps very bright; indeed, some
scarlet and rose-coloured geraniums dry beautifully, and other scarlets
won’t dry at all,--you must just get acquainted with those that do well,
and with those that don’t.”
Public-domain text, read in full here on John Shaqi.
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