Leila at Home: a continuation of Leila in EnglandTytler, Ann Fraser
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Leila at Home: a continuation of Leila in England
Tytler, Ann Fraser
Christian life -- Juvenile fiction; Country life -- Juvenile fiction; Cousins -- Juvenile fiction
The tears were running down poor Susan’s face, as her mother gave this
recital. They all looked at her with much interest; suddenly their
attention was arrested by one of the little boys sliding down from his
stool, and exclaiming, as he ran round the table and took the hand of
each of them in succession, “Thank you, good ladies, for our nice
breakfast;”--but as he approached Matilda, she pushed him from her--“O
no, no,” she said, “do not thank me; I can bear it no longer!”--and she
ran out of the room. Selina followed her.
In a few minutes they both returned, Matilda looking quite composed,
though sorrowful: she went up to the blind girl, and, in a low voice,
tried to enter into conversation with her; but it was the greatest
possible relief to Matilda, when, soon after, Nurse said it was time to
return home; assuring the poor woman, at the same time, she would speak
to her master about her, and she was sure he would give her some
assistance.
On entering the house, on their return, Matilda followed Leila to her
room. “Leila,” she said, “you must keep this work-box for me, and put it
out of my sight, for I cannot bear to look at it. This has been a sad
day for me; I don’t think I ever was so unhappy before, as when I saw
that blind girl knitting so fast with her poor thin fingers, and looking
so starved: and when I thought I had given all my money for this
work-box, and bought it though Selina so often told me not to do it, and
that I would repent--O I am a monster!--don’t you think so, Leila?”
“No, Matilda; don’t say so; a monster is a wild beast--you are not the
least like one--and you are repenting; you cannot do more now than that,
and you should be thankful you are not a wild beast, for then you could
not repent.”
“And then to eat that bunn in such good spirits, what do you say to
that?”
“But you did not eat in very good spirits; you were sorrowful before the
end, and gave half away.”
“Yes, half; but what is that, and a whole houseful of people
starving--six children and a mother, you know. O don’t try to comfort
me, it makes me much worse: I would rather you had said I had been as
bad as possible.”
“No, Matilda, I cannot say that, though you have been very wrong; but
how can I blame you even for that, when I was as bad? You are forgetting
about my buying this basket,” and she pointed to a small table on which
the basket was placed; “a little girl might have come with a cat to
sell, and then it would have been just the same thing.”
“No, not the same thing; for you had more money which you had saved, so
you could spare it;--but I must say one thing, Cousin Leila, I do wonder
how you can put this basket on the table before your very eyes; I can’t
bear even to look at this box, I am so sorry; and you said we had both
done wrong, and should both repent. I don’t think this looks very like
repenting.”
Leila coloured, and the tears came into her eyes as she said in a very
low voice, “I did it to make me repent.”
Public-domain text, read in full here on John Shaqi.
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