In searching for the mysterious in the gems, the Assyrians discovered the cuneiform crystals in the interior of transparent sapphires, and adopted the forms for their own use, believing them to be the language of the genii. We have little doubt but that the cuneiform character which now reveals the history of the extinct Oriental empires had its origin from the wonderful crystallizations sometimes seen in the internal structure of the sapphire. These crystals are sometimes visible to the naked eye; but when the polished surface of the mineral is exposed to a magnifying lens of even low power, they appear with startling distinctness, and exhibit forms of perfect arrow-head shape of all colors. The field of vision may at first include but a single arrow-head crystal of perfect symmetrical outline floating in the azure of the stone; but as the field is shifted myriads of crystals may suddenly come into view, presenting a scene of such remarkable beauty and fascination that the observer ceases to wonder at the credulity of Arabian superstition. These crystallizations may occur in sapphires of any hue, and then again we may search in vain for them in many other specimens of the same mineral. Some specimens may contain a very few of these arrow-head forms, while others seem to be composed of multitudes and masses of them. One large red sapphire of four karats weight submitted to our inspection appears to be composed of clouds of these cuneiform crystals; and under the magnifying power of about twenty diameters it presents fields of arrow-heads flashing forth the most brilliant hues, and changing into new scenes of startling and transcendent beauty as the focus is varied. Whatever startled the imagination of the ancients with a new and mysterious beauty was at once invested with supernatural power. In connection with this theme it is interesting and instructive to trace back the history of the gems and precious stones even within the period of the past two hundred years, and read the descriptions and definitions bestowed upon them by mineralogists. Some of the most gifted of men, like Linnæus and Wallerius, labored diligently to place them correctly in science; but their efforts to define and arrange them properly seem at the present day like schoolboy fancies. Daubenton conceived the brilliant but erroneous idea of arranging them according to their color, taking the solar spectrum for a standard. His idea was to place them in seven genera, according to the seven principal prismatic colors, and constitute species according to the different shades. This able man was not then aware that the sapphire and the tourmaline exhibit quite all of the colors of his seven genera.