[32] Horapollinis Niloi Hieroglyphica edidit Conradus Leemans Amstelodami, 1835. The words referring to the sex of the vulture read as follows (p. 14): "μητἑρα μἑν ἑπειδἡ ἁρρεν ἑν τοὑτω γἑνει τὡων οὑχ ὑπἁρχει." [33] E. Müntz, 1. c., p. 282. [34] E. Müntz, 1. c. [35] See the illustrations in Lanzone l. c. T. CXXXVI-VIII. [36] v. Römer l. c. [37] Cf. the observations in the Jahrbuch für Psychoanalytische und Psychopathologische Forschungen, Vol. I, 1909. [38] Cf. Richard Payne Knight: The Cult of Priapus. [39] Prominently among those who undertook these investigations are I. Sadger, whose results I can essentially corroborate from my own experience. I am also aware that Stekel of Vienna, Ferenczi of Budapest, and Brill of New York, came to the same conclusions. [40] Edm. Solmi: Leonardo da Vinci, German translation, p. 152. [41] Solmi, 1. c. p. 203. [42] Leonardo thus behaves like one who was in the habit of making a daily confession to another person whom he now replaced by his diary. For an assumption as to who this person may have been see Merejkowski, p. 309. [43] M. Herzfeld: Leonardo da Vinci, 1906, p. 141. [44] The wording is that of Merejkowski, 1. c. p. 237. [45] The equestrian monument of Francesco Sforza. [46] The full wording is found in M. Herzfeld, 1. c. p. 45. [47] Merejkowski 1. c.--As a disappointing illustration of the vagueness of the information concerning Leonardo's intimate life, meager as it is, I mention the fact that the same expense account is given by Solmi with considerable variation (German translation, p. 104). The most serious difference is the substitution of florins by soldi. One may assume that in this account florins do not mean the old "gold florins," but those used at a later period which amounted to 1-2/3 lira or 33-1/2 soldi.--Solmi represents Caterina as a servant who had taken care of Leonardo's household for a certain time. The source from which the two representations of this account were taken was not accessible to me. [48] "Caterina came in July, 1493." [49] The manner of expression through which the repressed libidio could manifest itself in Leonardo, such as circumstantiality and marked interest in money, belongs to those traits of character which emanate from anal eroticism. Cf. Character und Analerotik in the second series of my Sammlung zur Neurosenlehre, 1909, also Brill's Psychoanalysis, its Theories and Practical Applications, Chap. XIII, Anal Eroticism and Character, Saunders, Philadelphia. [50] Seidlitz: Leonardo da Vinci, II Bd., p. 280. [51] Geschichte der Malerei, Bd. I, p. 314. [52] l. c. p. 417. [53] A. Conti: Leonardo pittore, Conferenze Fiorentine, l. c. p. 93. [54] l. c. p. 45. [55] W. Pater: The Renaissance, p. 124, The Macmillan Co., 1910. [56] M. Herzfeld: Leonardo da Vinci, p. 88. [57] Scognamiglio, l. c. p. 32. [58] L. Schorn, Bd. III, 1843, p. 6.