Leonardo da Vinci: A Psychosexual Study of an Infantile ReminiscenceFreud, Sigmund
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Leonardo da Vinci: A Psychosexual Study of an Infantile Reminiscence
Freud, Sigmund
Freud, Sigmund, 1856-1939 -- Views on art; Leonardo, da Vinci, 1452-1519; Painters -- Italy -- Biography; Psychoanalysis -- Case studies
[59] The same is assumed by Merejkowski, who imagined a childhood for
Leonardo which deviates in the essential points from ours, drawn from
the results of the vulture phantasy. But if Leonardo himself had
displayed this smile, tradition hardly would have failed to report to us
this coincidence.
[60] l. c. p. 309.
[61] A. Konstantinowa, l. c., says: "Mary looks tenderly down on her
beloved child with a smile that recalls the mysterious expression of la
Gioconda." Elsewhere speaking of Mary she says: "The smile of Gioconda
floats upon her features."
[62] Cf. v. Seidlitz, l. c. Bd. II, p. 274.
[63] Cf. Three Contributions to the Theory of Sex, translated by A. A.
Brill, 2nd edition, 1916, Monograph series.
[64] "On the 9th of July, 1504, Wednesday at 7 o'clock died Ser Piero da
Vinci, notary at the palace of the Podesta, my father, at 7 o'clock. He
was 80 years old, left 10 sons and 2 daughters." (E. Müntz, l. c. p.
13.)
[65] I shall overlook a greater error committed by Leonardo in his
notice in that he gives his 77-year-old father 80 years.
[66] "He who usurps on earth my place, my place, my place, which is void
in the presence of the Son of God, has made out of my cemetery a sewer."
Canto XXXVII.
[67] It seems that in that passage of the diary Leonardo also erred in
the number of his sisters and brothers, which stands in remarkable
contrast to the apparent exactness of the same.
[68] v. Seidlitz, l. c., II, p. 270.
[69] Solmi, Conf. fior, p. 13.
[70] Müntz, l. c., La Religion de Leonardo, p. 292, etc.
[71] Herzfeld, p. 292.
[72] Vasari, translated by Schorn, 1843.
[73] Ebenda, p. 39.
[74] Concerning these letters and the combinations connected with them
see Müntz, l. c., p. 82; for the wording of the same and for the notices
connected with them see Herzfeld, l. c., p. 223.
[75] Besides, he lost some time in that he even made a drawing of a
braided cord in which one could follow the thread from one end to the
other, until it formed a perfectly circular figure; a very difficult and
beautiful drawing of this kind is engraved on copper, in the center of
it one can read the words: "Leonardus Vinci Academia" (p. 8).
[76] This criticism holds quite generally and is not aimed at Leonardo's
biographers in particular.
[77] Seidlitz II, p. 271.
[78] La natura è piena d'infinite ragionè che non furono mai in
isperienza, M. Herzfeld, l. c. p. II.
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