Married women -- Fiction; Staffordshire (England) -- Fiction
Aroused from lethargy by the dramatic circumstances of her father's
death, Rose had resumed her reading with a vigour that amounted almost
to fury. In the following January she miraculously passed the
Matriculation examination of London University in the first division,
and on returning home she informed Leonora that she had decided to go
back to London and study medicine at a hospital for women.
But of the three girls, it was Millicent who had made the most history.
Millicent was rapidly developing the natural gift, so precious to the
theatrical artist, of existing picturesquely in the eye of the public.
When the rehearsals of _Princess Ida_ began for the annual performance
of the Operatic Society Milly confidently expected to receive the
principal part, despite the fact that Lucy Turner, who had the
prescriptive right to it, was once more in a position to sing; and Milly
was not disappointed. As a heroine of comic opera she now accounted
herself an extremely serious person, and it soon became apparent that
the conductor and his prima donna would have to decide between them who
was to control the rehearsals while Milly was on the stage. One evening
a difference of opinion as to the _tempo_ of a song and chorus reached
the condition of being acute. Exasperated by the pretty and wayward
child, the conductor laid down his stick and lighted a cigarette, and
those who knew him knew that the rehearsal would not proceed until the
duel had been fought to a finish. Milly thought hard and said: 'Mr.
Corfe says the Hanbridge people would jump at me!' 'My good girl,' the
conductor replied, 'Mr. Corfe's views on the acrobatic propensities of
the Hanbridge people are just a shade off the point.' Every one laughed,
except Milly. She possessed little appreciation of wit, and she had
scarcely understood the remark; but she had an objection to the
laughter, and a very strong objection to being the conductor's good
girl. The instant result was that she vowed never again to sing or act
under his baton, and took the entire Society to witness; her place was
filled by Lucy Turner. The Hanbridge Society happened to be doing
_Patience_ that year, and they justified Mr. Corfe's prediction.
Moreover, they hired the Hanbridge Theatre Royal for six nights. On the
first night Milly was enthusiastically applauded by two thousand people,
and in addition to half a column of praise in the 'Signal,' she had the
happiness of being mentioned in the district news of the 'Manchester
Guardian' and the 'Birmingham Daily Post.' She deemed it magnificent for
her; Leonora tried to think so too. But on the fourth day the Hanbridge
conductor was in bed with influenza; and the Bursley conductor, upon a
flattering request, undertook his work for the remaining nights. Milly
broke her vow; her practical common sense was really wonderful. On the
last and most glorious night of the six, after responding to several
frenzied calls, Milly was inspired to seize the conductor in the wings
Public-domain text, read in full here on John Shaqi.
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