Leonora D'Orco: A Historical RomanceJames, G. P. R. (George Payne Rainsford)
History
Leonora D'Orco: A Historical Romance
James, G. P. R. (George Payne Rainsford)
Italy -- History -- 1492-1559 -- Fiction
"Ah, Catarina," he said to the girl who tardily brought in the lights,
"if the world waits upon you for illumination, we shall have another
dark age upon us. Now see what it is: this little candle in a moment
brings out of obscurity a thousand things which would not be discerned
before. Thus it is in this world, Catarina; we grope our twilight way
among things unseen till comes some light of science, and we find
ourselves surrounded by multitudes of beautiful things we could not
before discern. Do you understand me, Catarina?"
"No, signor," answered the girl, opening her great black eyes, "but I
love to hear you speak, even when I know not what you are speaking
of."
"How can she understand such things?" asked Leonora. "Probably she has
never been out of the village."
"And she is wise not to go," answered the stranger. "What would she
gain by going, to what she might lose? Do you love the cultivation of
flowers, sweet lady? If so, you will know that there be some which
love the shade and will not bear transplanting. That poor girl, right
happy here, with youth, and health, and a sufficiency of all things,
might be very miserable in a wider scene. Oh no, God's will is best.
We should never pray for anything but grace and peace, I cannot but
think that prayers--importunate, short-sighted prayers--are sometimes
granted in chastisement. There is one eye alone which sees the
consequence; of all things. There may be poison in a cup of nectar;
but you cannot so well conceal the venom in a draught of pure water
from the well. Let the poor girl stay here. Now sit you still, and I
will draw you both, one for the other; but talk at will; I would not
have you dull and silent. Any bungler can draw the body. I want to
sketch the spirit likewise. Eyes, nose, and mouth are easily drawn;
the heart and the soul require a better pencil. Ay, now you are
smiling again. You were all too grave just now."
"But your discourse has been very serious," replied Lorenzo. "Some
things might well puzzle, some sadden us."
"'Tis well," said the artist gravely, "to prompt thought, and I sought
to do it. You two were dreaming when first I saw you. I have but
awakened you. I know not your names nor your history; but you are both
very young; and when the Jove-born goddess took on bodily the part of
Mentor, she knew that youth and inexperience require an almost
superhuman monitor. I can give no such counsels, but every man can
bring a little cool water where he sees a fire. Ah! lady, would I had
my colours here to catch that rosy blush before it flies."
"Fie! fie!" she answered, "or you will make me fly also. You cannot
suppose that either Lorenzo or I would wish or do aught that is wrong.
Your admonitions were cast away upon us, for we needed them not."
"God knows," said the artist, laughing, "but neither you nor I, young
lady. Your speech is not Florentine, but his is: how comes that? Is he
carrying home a bride?"
Public-domain text, read in full here on John Shaqi.
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