Leonora D'Orco: A Historical RomanceJames, G. P. R. (George Payne Rainsford)
History
Leonora D'Orco: A Historical Romance
James, G. P. R. (George Payne Rainsford)
Italy -- History -- 1492-1559 -- Fiction
"Well, then," replied the great painter, changing his tone, "come
round here, and look over my shoulder. Here are the two portraits.
'Did you ever see two uglier people? Is he not frightful, Signora
Leonora? and as to her face and figure, they are, of course, hideous,
Lorenzo."
Leonora took the rapid sketch, which represented Lorenzo with a drawn
sword in one hand and a banner in the other, looking up to a cloudy
sky, through which broke a brighter gleam of light, gazed at it a
moment with what may well be called ecstasy, and then placed it in the
scarf which covered her bosom, while he pressed his lips upon the
other paper in silent delight.
"You need not do that, Lorenzo," said the painter, with a quiet smile;
"your lips will soil my picture--my picture will soil your lips. There
are others near where the paint will not come off, for they are limned
by a hand divine. But are you both satisfied?"
"Oh, yes," exclaimed Leonora, joyfully; but Lorenzo answered at once,
"No, unless you will promise me, Signor da Vinci, to paint me a
portrait of her, as you can only paint, I cannot be satisfied."
"When she is your wife," answered Leonardo, "you have but to write to
me that Mona Leonora Visconti will sit, and be I at the distance of
two hundred leagues, I will come. But now, I will hie me to the little
chamber they have given me, and write the letter I spoke of, and then
return. Perchance the lady may have retired ere then, but I shall find
you here, Lorenzo. Is it not so?"
"Assuredly," replied the young man; "I have to visit the guards, and
see that all is rightly disposed in the town; but I will not go till
you return."
I will not follow the indiscreet example of Leonardo, and try to
sketch them as they sat alone after his departure. Indeed, it were not
an easy task. They were very happy, and happiness is like the
chameleon, ever changing its hues. An hour and a half, or a moment;
for such it seemed to them, had passed when old Mona Mariana, on whose
discreet and reasonable forbearance be a benediction, put her head
into the room, and said, in a sleepy tone:
"Is it not time for rest, dear lady?"
"You seem to think so Mariana, for you are half asleep already."
"Ah, young hearts! young hearts!" said the old lady, who had slept for
several hours; "they have thoughts enough to keep them waking, and
strength to bear it. Old people have only to pray and sleep. But,
indeed, you had better come to rest; we have all to rise betimes."
After a word or two more, Leonora parted from her lover, and soon
seeking her bed, lay down and dreamed, but not asleep.
As if the painter had heard her light foot on the stairs, she had not
been gone a minute when Leonardo appeared. He took Lorenzo's hand
eagerly in his, and said, in a low, earnest tone:
"Let her not go to Rome, I beseech you, young gentleman--let her not
go to Rome."
Public-domain text, read in full here on John Shaqi.
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