Leonora D'Orco: A Historical RomanceJames, G. P. R. (George Payne Rainsford)
History
Leonora D'Orco: A Historical Romance
James, G. P. R. (George Payne Rainsford)
Italy -- History -- 1492-1559 -- Fiction
This state of things lasted but a few months, however, when suddenly a
new change came over the beautiful girl. She had been studying hard
and diligently, and strange books fell into her hands. It seemed as if
from intellectual culture, new sources of happiness became opened to
her. It might, indeed, be that pride came to her aid--that she
resolved to cast away all thoughts of a man she deemed unworthy of
her. It might be that she sought to cheer and solace her father. And
yet there must have been something more, some stronger power at work
within, for she showed that she was not one of those "to love again
and be again deceived." Oh, no, she would not hear the very name of
love.
The gayest, the brightest, the noblest, the most handsome strove for
one smile, one token of her favour, but in vain. Yet she came forth
from her solitude--she became the star of her father's little court.
Amid admiring eyes and looks that seemed almost to worship her, she
moved in beauty, but as cold as ice. Colour came back to her cheek,
light to her eye, roundness and symmetry to every limb. The sweet,
arching lips regained all their redness, but the heart seemed to have
lost its warmth for ever.
The tenderness of the young girl, too, had apparently gone--the
timidity, the shyness of youth. Not that she was hard, unkind, or
harsh--oh, far from it. She was an angel of mercy in that city of
Imola. She pleaded for the prisoner, turned often aside the blow from
those appointed to die, solaced the sick and the needy. Her own great
wealth, left solely to her disposal, raised up many a drooping head,
cheered many a despairing heart. But now she dared to do what she
would have shrunk from in the years passed by. She would approach her
father, fearless, in his sternest moods, entreat, argue, remonstrate,
and often, by the power of her will, bend him from his most settled
purposes. Her beauty had acquired something of the character which her
mind now assumed, and it must have been now that those pictures we
have of her were taken. Though it was of the finest, the most
delicate, the most exquisitely engaging style both in line and
colouring, there was a dignity in the expression and in the whole air
which the canvas can but faintly convey; and yet who could gaze upon
her eyes, those wells of light, without seeing that there was some
marvellous self-sustaining power within.
Public-domain text, read in full here on John Shaqi.
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