Leonora D'Orco: A Historical RomanceJames, G. P. R. (George Payne Rainsford)
History
Leonora D'Orco: A Historical Romance
James, G. P. R. (George Payne Rainsford)
Italy -- History -- 1492-1559 -- Fiction
In vain he had remonstrated, in vain had he used authority. He found
her now, as he had left her in Rome, lighter than vanity itself. That
accident, propinquity, and some interest in the accident she had
brought upon him, with the vanity of winning one who had been
considered cold and immovable, had induced her to give him what little
love she could bestow on any one, and confirm it with her hand, he had
long known. Long, too, had he repented of his rash marriage; but that
carelessness of all things, that weariness of the world, that longing
for repose, even were it the repose of the grave, which Leonora's
fancied fickleness had brought upon him, had not been removed by his
union with Eloise de Chaumont. A thousand evils had been added--evils
the more terrible to a proud, high mind. He had never expected much;
but he had believed Eloise innocent, though thoughtless; tender and
affectionate, though light. But he had not found the tenderness after
the ring was on her finger; and the very semblance of affection had
soon died away.
"What was there on earth worth living for?" he asked himself; "what
was there to compensate the pangs he endured--the burthen he bore.
Nothing--nothing. Life was only not a blank because it was full of
miseries."
Thus he sat, with a wrung heart and whirling brain, for nearly half an
hour. At length he took a picture from his bosom--one of those small
gems of art which the great painters of that and the preceding age
sometimes took a pride in producing--and gazed upon it earnestly. It
was the portrait of a very beautiful woman (his own mother), which the
reader has seen him receive from Milan. He thought it like Leonora
d'Orco; but oh! that mother was faithful and true unto the death. She
had defended her own honour, she had protected herself from shame, she
had escaped the power of a tyrant, by preferring the grave to
pollution.
He turned to the back of the picture, now repaired, and read the
inscription on it, "A cure for the ills of life."
"And why not my cure?" asked Lorenzo of his own heart; "why should I
not pass from misery and shame even as my mother did?"
He pressed the spring, and the lid flew open. There were the fatal
powders beneath, all ready to his hand.
He was seated in his wife's room, and among many an article of costly
luxury on the table were a small silver cup and water-pitcher. Lorenzo
stretched out his hand to take the cup, laying the portrait with the
powders down while he half filled the cup with water. But, ere he
could take a powder from the case, Antonio re-entered.
"The hour has passed, my lord, and I do hope you will now hear me," he
said. "I have to tell you that which, perhaps, may be of little
comfort, but is yet important for you to know."
Public-domain text, read in full here on John Shaqi.
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