Leonora D'Orco: A Historical RomanceJames, G. P. R. (George Payne Rainsford)
History
Leonora D'Orco: A Historical Romance
James, G. P. R. (George Payne Rainsford)
Italy -- History -- 1492-1559 -- Fiction
"Better appear as becomes you, my noble lord," replied Antonio; "there
is a splendid company below--indeed, there always is when the countess
receives her guests. Your apparel is all put forth and ready. To dress
will but take you a few minutes."
"Well, be it so," said Lorenzo; "bring me those lights, my good
Antonio;" and he walked straight to the door of the dressing-room,
leaving his mother's portrait and the poison on the table. He
remembered it once while going down the stairs after dressing,
but there was too much eagerness in his heart for him to return
to take it then, and from that moment events and--more engrossing
still--feelings hurried on so rapidly, he forgot entirely his purpose
of going back for the portrait at an after period.
The entrance of the young prefect into his wife's splendid saloons
caused no slight movement among the many guests there present. His
noble and dignified carriage, the strange air of command in one so
young--an air of command obtained as much by sorrows endured,
and a manly struggle against despair, as by the habit of
authority--impressed all the strangers in the room with a feeling
going somewhat beyond mere respect. But there was one there present
whose feelings cannot be described. He was to her, as it were, a
double being--the Lorenzo of the past, the Lorenzo of the present. The
change in personal appearance was very slight, though the youth had
become the man. The dark, brown curling beard, the greater breadth of
the shoulders, the powerful development of every limb, and perhaps
some increase of height, formed the only material change, while
the grace as well as the dignity was still there. In the ideal
Lorenzo--the Lorenzo of her imagination--the change was, of course,
greater to the eyes of Leonora. He was no longer her own--he was no
longer her lover--he was the husband of another--there was an
impassable barrier between them; but that day had diminished the
difference. She now knew that he was as noble as ever, that he had not
been untrue to her without cause, that he had loved her faithfully,
painfully, sorrowfully (she dared not let her mind dwell on the
thought that he loved her still); and there was a sort of a tie
between her heart and his, between the present and the past, produced
by undeserved grief mutually endured.
Oh! how she longed to tell him that she had never been faithless to
him--that she had loved him ever! Again, she did not dare to admit
that she loved him still.
Yet she commanded herself wonderfully. She had come prepared; and she
had long obtained the power of concealing her emotions. That she felt
and suffered was only known to one in the whole room. She clung more
tightly to her father's arm, her fingers pressed more firmly on it;
and Ramiro d'Orco felt all she endured, and imagined more. He said not
a word indeed to comfort or console her, but there were words spoken
in his own heart which would have had a very different effect if they
had found breath.
Public-domain text, read in full here on John Shaqi.
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