Leonora D'Orco: A Historical RomanceJames, G. P. R. (George Payne Rainsford)
History
Leonora D'Orco: A Historical Romance
James, G. P. R. (George Payne Rainsford)
Italy -- History -- 1492-1559 -- Fiction
He closed the door when he departed, and Mardocchi gazed around him
with no small curiosity and interest. There were many ornaments
scattered round the room--little works of art, beautiful trifles and
invaluable gems. Mardocchi remarked all, examined all, and handled not
a few. Among the rest he took up the small picture of Lorenzo's
mother, which the young prefect had left there on the night of his
arrival. He gazed at the face for a moment or two, seeming to have
some faint remembrance of the features, and then examined the case
with some curiosity. He was not long in discovering the spring by
which the back opened, and the powders and inscription were exposed to
view.
"A cure for the ills of life!" he said: and then, as if something
which required thought suddenly struck him, he seated himself, and
with his eyes fixed upon the case, fell into profound meditation.
The reader will remember that there was a smaller chamber next to that
of Eloise; and a door of communication between the two. As the friar
sat there thinking, that door moved slightly on its hinges, and a
chink appeared through which one might have passed a Spanish crown
piece,--no larger.
A few minutes after, the countess entered. Mardocchi had the picture
with the case still open in his hand; but he laid it not down as might
have been expected. On the contrary, he rose from his seat, and,
bowing his head, said, with a humble air:
"I have committed a great indiscretion, Madonna, I took up this
beautiful portrait to look at it, when suddenly, I know not how, it
came open as you see."
"Oh! that is the picture of my husband's mother," said Eloise
carelessly; "I found it here two or three days ago. I cannot tell how
it came here, for he carries it usually in his bosom. But what is that
little box behind? I was puzzling over these powders and the
inscription only yesterday, but could make nothing of them."
"Let me see," said Mardocchi, carrying the case to the window, as if
for a better light.
He remained for a moment or two with his back to the lady, apparently
examining the powders, and then brought the case back, saying:
"They are apparently love powders."
"Then I will take one of them," said Eloise, laughing; "I am sure I
need them."
"For Heaven's sake, forbear, Madonna," said Mardocchi; "I don't, know
what they are--I only guess. God help us! they may contain poison, in
this wicked age."
"Well, well, I will put the case back in his dressing-room," said
Eloise; but the friar stayed her, saying, "Better leave them where he
left them, my daughter. I have but a few moments to stay, and I wish
to inquire after your health.
"Oh! my health in excellent, good father," replied the lady, lightly,
"thanks to your skill; I believe it never was better."
"Permit me to feel your pulse, Madonna," said Mardocchi. "Let me see.
This is the ninth day of the moon; and, from the eighth to the
fourteenth, some mild and calming remedies are useful. Your pulse is
somewhat agitated."
Public-domain text, read in full here on John Shaqi.
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