Leonora D'Orco: A Historical RomanceJames, G. P. R. (George Payne Rainsford)
History
Leonora D'Orco: A Historical Romance
James, G. P. R. (George Payne Rainsford)
Italy -- History -- 1492-1559 -- Fiction
"The trial is over," said Leonora. "Your father would not preside; but
his creatures have condemned him. No time was allowed to summon other
witnesses. Some poison, concealed in the case of a portrait known to
be Lorenzo's, was found in the unhappy lady's chamber; a girl called
Giovanetta testified that her mistress and Friar Peter both told
her that two papers--one of which she tried upon a dog who died
instantly, and the other which her mistress took--were given to the
countess by her husband. Some other small circumstances of suspicion
appeared, and on this he was condemned, although there were numerous
inconsistencies. He is innocent, believe me; but in two hours he will
be done to death before the south gate, unless your father can be
persuaded to respite him. There are many in the town that are sure of
his innocence, but too few I fear--
"He is innocent! he is innocent!" cried Leonora, with her brow
burning, and her cheek pale. "He is innocent as a babe. I will go
down--I will return with you--I will see my father--I will save him or
die with him."
"But, lady, they will let no one enter the town," said Leonardo; "they
have trebled the sentries at the gates. All may come forth who will,
but no one can return. So they told me as I passed; and, unless you
have the key of the postern, as you once had, I fear--"
"I have--I have," said Leonora; "stay but one moment."
She flew into the house and was but an instant gone. Leonardo saw her
hide something like a small vial in her bosom, but the large key was
in her hand; and merely beckoning him to follow, she ran down the
steps of the terrace, and through the garden toward the gate. Leonardo
followed rapidly, merely saying to the girl----
"Send down my horse to the gate."
Leonora was at the postern first, however, but her hands so trembled
she could not put the key in the lock. The painter took it from her,
opened the little gate, and, passing in, she sped on towards the
citadel. She did not observe that Leonardo was no longer with her;
but, with frantic speed, and hair escaped from all its bindings, she
sped on through the almost deserted streets till she reached the gates
of the citadel.
"Where is my father?" she cried; "where is the Lord of Imola?"
"Why, lady," replied a man standing beside the sentinel, "he is not
here; he is in the bishop's piazza, waiting till the execution is
over. This is a terrible day, and will bring ruin on the city, I can
see."
But ere his last words were uttered, Leonora was gone.
Ramiro d'Orco truly stood in the square before the bishop's palace,
which was not two hundred yards from the south gate. His arms were
crossed upon his chest; his head was held high, his brow contracted;
his jaws so firmly set, that when he spoke, in answer to any of the
lords and officers who surrounded him, the sounds issued from between
his teeth, and his lips were hardly seen to move.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account