Leonora D'Orco: A Historical RomanceJames, G. P. R. (George Payne Rainsford)
History
Leonora D'Orco: A Historical Romance
James, G. P. R. (George Payne Rainsford)
Italy -- History -- 1492-1559 -- Fiction
The man who spoke was a remarkably handsome man of about forty-four or
five years of age, with a countenance of wonderful sweetness. He was
dressed in a black velvet coat, with a small cap of the same material
on his head, and a little feather in it. His seat was a large stone
in the garden just before the window, and on his knee rested a
curious-looking instrument, which seemed the model of a horse's head
cut in silver and ivory. Upon it was stretched a small scrap of paper,
on which he still went on, tracing something with a pencil.
"This, sir, is hardly right," said Lorenzo, advancing to a door
leading direct into the garden, which, like the window, was wide open.
"You intrude upon our privacy somewhat boldly;" but the next instant
he exclaimed, in a voice of delight, as he gazed over their strange
visitor's shoulder, "Good heaven! how beautiful! Leonora! Leonora!
Come hither and see yourself depicted better than Venetian mirror ever
reflected that loved face and form."
"And you too, Lorenzo! and you too!" exclaimed Leonora. "Oh! it is
perfect!"
The artist looked up and smiled with one of those beaming smiles which
seem to find their way direct to the heart, as if an angel looked into
it. "It is like you both," he said; "but it was the attitude I sought,
and you started up before I had completed the sketch. Yet I can
remember it. My mind, from long habit, is like a note-book, in which
every beautiful thing I behold is written down as soon as seen. Look
how I will add in a moment all that is wanting," and he proceeded with
rapid pencil to add the arm of Lorenzo cast round Leonora's waist, and
her arm resting on her lap, with her hand clasped in her lover's.
The colour came in the beautiful girl's cheek, but without remarking
it the artist said:
"Was it not so?"
"Even so, I fear," murmured Leonora.
"You must let me have this drawing," said Lorenzo; "you can put no
higher value on it than I will be right glad to pay. It will be to me
a memorial of one of the happiest days of my life, and of her I love
better than life."
"Nay, I would not part with it for any payment," said the other; "but,
having done as you said just now--intruded on your privacy--I will pay
for the intrusion by sketching for each of you, the portrait of the
other, and that without price. But let us come into the saloon, and
call for lights; it is getting somewhat dark. Will you, young
gentleman, take my lute, while I put up the sketch and my pencils."
"Is this then a lute?" asked Lorenzo, taking the horse's head in ivory
and silver. "Oh! I see; here is a finger-board, and the strings are
fastened to the lower jaw. I never saw a lute like this."
"Probably not," the other answered; "it is my own design and
workmanship."
"Then was it you whom we heard playing, just now?" asked Leonora. "The
music was divine."
Public-domain text, read in full here on John Shaqi.
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