Les beaux messieurs de Bois-Doré Vol. 1 (of 2)Sand, George
History
Les beaux messieurs de Bois-Doré Vol. 1 (of 2)
Sand, George
France -- History -- Louis XIII, 1610-1643 -- Fiction
She passed the rest of the day, therefore, untouched by D'Alvimar's
gallant hints; and it seemed to her that, by giving her dagger to the
marquis as the pledge of a generous affection, she had rid herself of
something that had disturbed her and burned her hands. She took pains
not to be left alone with the Spaniard, and not to encourage any of the
efforts he made to lead the conversation back to the delicate
commonplaces of love.
Moreover, all private conversation was interrupted and the attention of
the whole party diverted by a strange incident.
A young gypsy appeared and requested permission to entertain the
illustrious company by his accomplishments; I believe that the rascal
said "his genius."
He had no sooner made his appearance than D'Alvimar recognized the young
vagabond who had served as interpreter between Monsieur D'Ars and the
Moorish woman on the moor of Champillé, and who had declared that he
was French by birth and that his name was La Flèche.
He was a young man of some twenty years, with a handsome face, although
it already showed the ravages of debauchery. His eye was keen and
insolent; his lips flat and treacherous; his speech conceited, impudent
and satirical; he was short of stature, but well-formed, as active with
his body as a pantomimist, and with his hands as a thief; intelligent in
everything that is serviceable in evil-doing; stupid in respect to any
useful work or any sound reasoning.
Like all of his profession, he possessed a few rags in addition to what
he wore, and these he used as a costume in which to perform his tricks.
He made his appearance dressed in a sort of Genoese cloak lined with
red; on his head one of those hats bristling with cocks' feathers, hats
without name or shape or excuse for being; pretentious yet despairing
ruins, whose gorgeous improbability Callot has immortalized in his
Italian grotesques.
Short, slashed boots, one much too large, the other much too small for
his foot, disclosed stockings once red, now faded to the hue of wine
lees. An enormous scapulary covered the miscreant's breast, a safeguard
against the charge of paganism and sorcery that was constantly hanging
over his head. Lustreless light hair, of absurd length, fell over his
lean face, aflame with red ochre, and an incipient moustache joined two
patches of downy white hair planted under his smooth and glistening
chin.
He began in a voice like a cracked trumpet:
Public-domain text, read in full here on John Shaqi.
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