Les beaux messieurs de Bois-Doré Vol. 1 (of 2)Sand, George
History
Les beaux messieurs de Bois-Doré Vol. 1 (of 2)
Sand, George
France -- History -- Louis XIII, 1610-1643 -- Fiction
Lucilio's wisdom had much ado to reconcile the warm affection which the
marquis really deserved with the feelings naturally aroused by his
childishness. But, hopeless of correcting so old a child, reason advised
him to make the best of him and to love him as he was.
The philosopher would have preferred that Mario should not be
overwhelmed with splendor and finery at the outset of his new career,
but rather that he should be told something of the new duties he had to
fulfil. He found some consolation in the fact that the child was less
intoxicated by the possession of all those things, than overjoyed and
touched by the affection and endearments of which he found himself the
object.
On the following day D'Alvimar, who had passed a sleepless night,
requested through Bellinde, who obligingly acted as his nurse,
permission to keep his room until afternoon.
The marquis paid him another brief visit, and was struck by the
alteration of his features. He had had ghastly visions, under the spell
of the sinister prophecies that had been hurled at him.
Daylight had finally revived hope in his heart, and he slept part of the
day.
XXVII
The marquis took advantage of this respite to recur to the subject of
dress.
He went up with Mario and Adamas to the vacant room on the fourth floor,
that is to say, immediately over the _Salle des Verdures_.
That unfinished apartment was strewn with innumerable chests and
cupboards; and Mario, as soon as the padlocks were removed, and the lids
raised and doors thrown open, fancied that he was in fairyland. There
was a bewildering mass of magnificent stuffs, dazzling gold lace,
ribbons, laces, feathers and jewels, rich hangings, cordovan leather,
furniture in parts, all new and ready to be put together, reliquaries
heavy with precious stones, beautiful paintings on glass which needed
only to be assembled, lovely enamelled mosaics, arranged in piles and
numbered, whole pieces of fine linen, enormous guipure curtains, with
gold and silver stripes; in a word, a hoard of plunder, which smelt of
the partisan warrior a league away, and which the marquis considered to
have been legally acquired at the sword's point.
This receptacle of rich spoil was known in the household as the
store-room, the garret. It was supposed to contain spare articles of
furniture, together with what was broken or discarded.
Adamas alone was aware of the contents of those wonderful chests, and
under his breath he called that room the _treasure_ or the _abbey_.
There were no fashionable gewgaws, as in the marquis's apartments, but
artistic objects and fabrics of great value and great beauty, some of
great antiquity, and the more valuable on that account: stuffs
manufactured by processes no longer known, weapons of all sizes and of
all nations, many excellent pictures, valuable manuscripts, etc.
Public-domain text, read in full here on John Shaqi.
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