Les beaux messieurs de Bois-Doré Vol. 1 (of 2)Sand, George
History
Les beaux messieurs de Bois-Doré Vol. 1 (of 2)
Sand, George
France -- History -- Louis XIII, 1610-1643 -- Fiction
When alone, she often wept in spite of herself, involuntarily yearning
for companionship, affection, a mother, a sister, a brother, a smile, a
pleasant word which would assist her to breathe and bloom in a softer
air than that of the chilling gloom of her old manor-house, the
depressing memory of the Borgias, and the political harangues of her
satirical and discontented father.
Thus a rapid transformation took place in her at Briantes. She became
what she longed to be, what she could not have ceased to be except for a
painful straining of her will, and what nature willed that she should be
once more: a child.
The marquis, having joyously cast aside the thought of making her his
wife, resolutely treated her as his daughter, taking pleasure in the
idea that she was so young that he could readily, without making himself
out too old, look upon her as Mario's older sister.
Moreover it happened that his extraordinary coquetry was even better
served by two children than by a single one. Those youthful companions,
whose delicate colors he loved to wear, and whose innocent amusements he
loved to partake, made him younger in his own opinion, to such a degree
that he sometimes persuaded himself that he was a mere boy.
"There are people who grow old, you see," he would say to Adamas; "I am
not one of that sort, for I enjoy myself only with innocent youth. I
tell you, my friend, I have returned to my golden age, and my ideas are
as pure and joyous as those of the little sweetheart and cherub yonder."
Thus Lauriane, Mario and the marquis became inseparable, and their days
passed in a constant succession of amusements interspersed with earnest
study and good deeds.
Lauriane had had no education at all. She knew nothing. She desired to
attend the lessons Jovelin gave Mario in the large salon. She would
listen, embroidering the marquis's crest upon a piece of tapestry; and
when Mario had read or recited his lesson, he would place Lucilio's
written demonstrations on her lap and read them over with her. Lauriane
was amazed to find how readily she understood things that she had
believed to be beyond a woman's intelligence.
She enjoyed the music lesson exceedingly, and sometimes played the
theorbo prettily while the Moor sang her sweet laments.
The marquis would lie stretched out in his long chair throughout these
little concerts, gazing at the characters on the _Astrée_ tapestry, and
would doze beatifically, fancying that he saw them move or heard them
sing.
Lucilio too had his share in this family happiness, which caused him to
forget to some extent the solitude of his heart and his ghastly future.
Public-domain text, read in full here on John Shaqi.
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