Les Bijoux Indiscrets, or, The Indiscreet ToysDiderot, Denis
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Les Bijoux Indiscrets, or, The Indiscreet Toys
Diderot, Denis
Erotic fiction; Louis XV, King of France, 1710-1774 -- Fiction
Had the taste of good declamation been known in Congo, there were some
comedians who might well be spared. Of thirty persons which composed
the band, there was but one great actor, and two tolerable actresses.
The genius of authors was obliged to comply with the mediocrity of the
greatest number; and there was no room to hope, that a play would be
performed with any tolerable success, without taking care to model the
characters on the defects of the comedians. This is what was meant in
my time by the custom of the stage. Formerly the actors were made for
the pieces; but now the pieces were made for the actors. If you offer'd
a new play, to be sure it underwent an examination, to know whether
the subject was engaging, the intrigue well connected, the characters
supported, and the diction pure and flowing: but if there were no parts
for Roscius and Amiana, it was refused.
The Kislar Agasi, superintendant of the Sultan's pleasures, had packed
a company of players together, as he could find them; and this was the
first representation of a new tragedy at the Seraglio. It was composed
by a modern author, who had gain'd such reputation, that tho' his piece
had been but a string of impertinences, it would assuredly have met
with a favorable reception. But he did not debase his character. His
work was well written, his scenes conducted with art, his incidents
managed with dexterity, the interest went on increasing, and the
passions in being developed. The acts, naturally link'd together, and
full, constantly held the audience in suspence with regard to the
sequel, and satisfied with what was past: and they were got to the
fourth act of this master-piece, to a very moving scene, which was
a preparation to another still more interesting; when Mangogul, in
order to save himself from the ridicule of listening to the tender
parts, pull'd out his glass, and acting the inattentive, surveyed the
several boxes. In the front box he observed a woman in great emotion,
but of an ill-timed sort, as having no relation to the piece. His
ring was instantly levelled at her, and in the midst of most pathetic
commendations, a Toy, panting for breath, was heard addressing the
player in these terms:
"Ah!----Ah!----Pray stop, Orgogli;----you melt me
excessively----Ah!----Ah!----There's no bearing it.----"
Public-domain text, read in full here on John Shaqi.
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