One detail, which we must not omit, is that he possessed a physical
strength which was not approached by a single one of the denizens of
the galleys. At work, at paying out a cable or winding up a capstan,
Jean Valjean was worth four men. He sometimes lifted and sustained
enormous weights on his back; and when the occasion demanded it, he
replaced that implement which is called a jack-screw, and was formerly
called _orgueil_ [pride], whence, we may remark in passing, is derived
the name of the Rue Montorgueil, near the Halles [Fishmarket] in Paris.
His comrades had nicknamed him Jean the Jack-screw. Once, when they
were repairing the balcony of the town-hall at Toulon, one of those
admirable caryatids of Puget, which support the balcony, became
loosened, and was on the point of falling. Jean Valjean, who was
present, supported the caryatid with his shoulder, and gave the workmen
time to arrive.
His suppleness even exceeded his strength. Certain convicts who were
forever dreaming of escape, ended by making a veritable science of
force and skill combined. It is the science of muscles. An entire
system of mysterious statics is daily practised by prisoners, men who
are forever envious of the flies and birds. To climb a vertical
surface, and to find points of support where hardly a projection was
visible, was play to Jean Valjean. An angle of the wall being given,
with the tension of his back and legs, with his elbows and his heels
fitted into the unevenness of the stone, he raised himself as if by
magic to the third story. He sometimes mounted thus even to the roof of
the galley prison.
He spoke but little. He laughed not at all. An excessive emotion was
required to wring from him, once or twice a year, that lugubrious laugh
of the convict, which is like the echo of the laugh of a demon. To all
appearance, he seemed to be occupied in the constant contemplation of
something terrible.
He was absorbed, in fact.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account