Throughout this hideous meditation, the thoughts which we have above
indicated moved incessantly through his brain; entered, withdrew,
re-entered, and in a manner oppressed him; and then he thought, also,
without knowing why, and with the mechanical persistence of reverie, of
a convict named Brevet, whom he had known in the galleys, and whose
trousers had been upheld by a single suspender of knitted cotton. The
checkered pattern of that suspender recurred incessantly to his mind.
He remained in this situation, and would have so remained indefinitely,
even until daybreak, had not the clock struck one—the half or quarter
hour. It seemed to him that that stroke said to him, “Come on!”
He rose to his feet, hesitated still another moment, and listened; all
was quiet in the house; then he walked straight ahead, with short
steps, to the window, of which he caught a glimpse. The night was not
very dark; there was a full moon, across which coursed large clouds
driven by the wind. This created, outdoors, alternate shadow and gleams
of light, eclipses, then bright openings of the clouds; and indoors a
sort of twilight. This twilight, sufficient to enable a person to see
his way, intermittent on account of the clouds, resembled the sort of
livid light which falls through an air-hole in a cellar, before which
the passers-by come and go. On arriving at the window, Jean Valjean
examined it. It had no grating; it opened in the garden and was
fastened, according to the fashion of the country, only by a small pin.
He opened it; but as a rush of cold and piercing air penetrated the
room abruptly, he closed it again immediately. He scrutinized the
garden with that attentive gaze which studies rather than looks. The
garden was enclosed by a tolerably low white wall, easy to climb. Far
away, at the extremity, he perceived tops of trees, spaced at regular
intervals, which indicated that the wall separated the garden from an
avenue or lane planted with trees.
Having taken this survey, he executed a movement like that of a man who
has made up his mind, strode to his alcove, grasped his knapsack,
opened it, fumbled in it, pulled out of it something which he placed on
the bed, put his shoes into one of his pockets, shut the whole thing up
again, threw the knapsack on his shoulders, put on his cap, drew the
visor down over his eyes, felt for his cudgel, went and placed it in
the angle of the window; then returned to the bed, and resolutely
seized the object which he had deposited there. It resembled a short
bar of iron, pointed like a pike at one end. It would have been
difficult to distinguish in that darkness for what employment that bit
of iron could have been designed. Perhaps it was a lever; possibly it
was a club.
Public-domain text, read in full here on John Shaqi.
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