the mother answered, continuing her song, and then turned her head. A
woman was standing a few paces from her, who also had a child, which
she was carrying in her arms. She also carried a heavy bag. This
woman's child was one of the most divine creatures possible to behold;
she was a girl between two and three years of age, and could have vied
with the two other little ones in the coquettishness of her dress. She
had on a hood of fine linen, ribbons at her shoulders, and Valenciennes
lace in her cap. Her raised petticoats displayed her white, dimpled,
fine thigh; it was admirably pink and healthy, and her cheeks made
one long to bite them. Nothing could be said of her eyes, except that
they were very large, and that she had magnificent lashes, for she
was asleep. She was sleeping with the absolute confidence peculiar to
her age; a mother's arms are made of tenderness, and children sleep
soundly in them. As for the mother, she looked grave and sorrowful, and
was dressed like a work-girl who was trying to become a country-woman
again. She was young; was she pretty? Perhaps so; but in this dress
she did not appear so. Her hair, a light lock of which peeped out,
seemed very thick, but was completely hidden beneath a nun's hood;
ugly, tight, and fastened under her chin. Laughter displays fine teeth,
when a person happens to possess them; but she did not laugh. Her eyes
looked as if they had not been dry for a long time; she had a fatigued
and rather sickly air, and she looked at the child sleeping in her arms
in the manner peculiar to a mother who has suckled her babe. A large
blue handkerchief, like those served out to the invalids, folded like
a shawl, clumsily hid her shape. Her hands were rough and covered with
red spots, and her forefinger was hardened and torn by the needle. She
had on a brown cloth cloak, a cotton gown, and heavy shoes. It was
Fantine.
It was difficult to recognize her, but, after an attentive examination,
she still possessed her beauty. As for her toilette,--that aerian
toilette of muslin and ribbons which seemed made of gayety, folly, and
music, to be full of bells, and perfumed with lilacs,--it had faded
away like the dazzling hoar-frost which looks like diamonds in the sun;
it melts, and leaves the branch quite black.
Public-domain text, read in full here on John Shaqi.
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